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https://w.atwiki.jp/elvis/pages/7774.html
Virtual Enterprise Integration Technological And Organizational Perspectives Idea Group Pub? Goran Putnik? Maria Manuela Cunha? IdeaGroupPub? GoranPutnik? MariaManuelaCunha? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Business&Investing-SmallBusiness&Entrepreneurship-NewBusinessEnterprises? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Science-Technology-General&Reference E-health Systems Diffusion And Use The Innovation, the User And the Use It Model Idea Group Pub? Ton A. M. Spil? Roel W. Schuring? IdeaGroupPub? TonA.M.Spil? RoelW.Schuring? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Medicine? Subjects-Business&Investing-General? Subjects-Computers&Internet-Home&Office-Internet-KidsandtheNet? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-General? Subjects-Medicine-Specialties-Family&GeneralPractice? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-FamilyPractice? Subjects-Professional&Technical-Medical-MedicalInformatics? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-General? Subjects-Science-Medicine-Specialties-Family&GeneralPractice? E-health Systems Diffusion And Use The Innovation, the User And the Use It Model Idea Group Pub? Ton A. M. Spil? Roel W. Schuring? IdeaGroupPub? TonA.M.Spil? RoelW.Schuring? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Medicine? Subjects-Business&Investing-General? Subjects-Computers&Internet-Home&Office-Internet-KidsandtheNet? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-General? Subjects-Medicine-Specialties-Family&GeneralPractice? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-FamilyPractice? Subjects-Professional&Technical-Medical-MedicalInformatics? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-General? Subjects-Science-Medicine-Specialties-Family&GeneralPractice? Software Evolution with UML and XML Idea Group Pub? Hongji Yang? IdeaGroupPub? HongjiYang? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-XML? Subjects-Computers&Internet-Software-Business-General? Subjects-Computers&Internet-Software-Design&Development-Object-OrientedDesign? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-Software-Design&Development-UML? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Software Evolution With Uml And Xml Idea Group Pub? Hongji Yang? IdeaGroupPub? HongjiYang? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-XML? Subjects-Computers&Internet-Software-Business-General? Subjects-Computers&Internet-Software-Design&Development-Object-OrientedDesign? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-Software-Design&Development-UML? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Advanced Methods in Distance Education Applications and Practices for Educators, Administrators, and Learners Information Science Pub? Kim E. Dooley? James R. Lindner? Larry M. Dooley? InformationSciencePub? KimE.Dooley? JamesR.Lindner? LarryM.Dooley? ジャンル別? Subjects-Nonfiction-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Science-Technology-General&Reference Advanced Methods in Distance Education Applications and Practices for Educators, Administrators and Learners Information Science Pub? Kim E. Dooley? James R. Lindner? Larry M. Dooley? InformationSciencePub? KimE.Dooley? JamesR.Lindner? LarryM.Dooley? ジャンル別? Subjects-Nonfiction-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Science-Technology-General&Reference Handbook of Research on Literacy in Technology at the K-12 Level Idea Group Pub? Leo Tan Wee Hin? R. Subramaniam? Leo Tan Eee Hin? IdeaGroupPub? LeoTanWeeHin? R.Subramaniam? LeoTanEeeHin? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Teens? Subjects-Computers&Internet-General? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-Technology&DistanceLearning-General? Subjects-Nonfiction-Education-Reference-General? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Professional&Technical-Education-Reference? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Professional&Technical-Education-Technology&DistanceLearning-General? Subjects-Science-Technology-General&Reference Subjects-Teens-Science&Technology-General? Online Assessment And Measurement Foundations And Challenges Information Science Pub? Mary Hricko? Scott L. Howell? InformationSciencePub? MaryHricko? ScottL.Howell? ジャンル別? Subjects-Nonfiction-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Nonfiction-Education-EducationTheory-Assessment? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Theory-Assessment? Subjects-Professional&Technical-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Science-Technology-General&Reference Knowledge Management And Higher Education A Critical Analysis Information Science Pub? Amy Scott Metcalfe? InformationSciencePub? AmyScottMetcalfe? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-Industries&Professions-General? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-College&University-General? Subjects-Nonfiction-Education-EducationTheory-SchoolManagement? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Administration-SchoolManagement? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Science-Technology-General&Reference Knowledge Management And Higher Education A Critical Analysis Information Science Pub? Amy Scott Metcalfe? InformationSciencePub? AmyScottMetcalfe? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-Industries&Professions-General? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-College&University-General? Subjects-Nonfiction-Education-EducationTheory-SchoolManagement? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Administration-SchoolManagement? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Science-Technology-General&Reference Taxonomy For The Technology Domain Information Science Pub? Lawrence A. Tomei? InformationSciencePub? LawrenceA.Tomei? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-ComputerScience? Subjects-Nonfiction-SocialSciences-Library&InformationScience-General? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-EducationTheory-Administration? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Administration-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Professional&Technical-Education-Pedagogy? Subjects-Science-Technology-General&Reference Taxonomy For The Technology Domain Information Science Pub? Lawrence A. Tomei? InformationSciencePub? LawrenceA.Tomei? ジャンル別? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-EducationTheory-Administration? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Administration-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Professional&Technical-Education-Pedagogy? Subjects-Science-Technology-General&Reference Mobile And Wireless Systems Beyond 3g Managing New Business Opportunities Irm Pr? Margherita Pagani? IrmPr? MargheritaPagani? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-Security? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-CellularCommunications? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-WirelessCommunications? Subjects-Computers&Internet-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-Technology-General&Reference Encyclopedia Of Information Science And Technology IGI Global? Mehdi Khosrowpour? IGIGlobal? MehdiKhosrowpour? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-ComputerScience? Subjects-Computers&Internet-Programming-Introductory&Beginning-ComputerDictionaries? Subjects-Computers&Internet-General? Subjects-Engineering-Reference? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Computer? Subjects-Professional&Technical-Engineering-Reference? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-Dictionaries&Thesauruses-Computer? Subjects-Science-General Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Encyclopedia Of Multimedia Technology And Networking IGI Global? Margherita Pagani? IGIGlobal? MargheritaPagani? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-CertificationCentral-Subjects-Networking? Subjects-Computers&Internet-CertificationCentral-General? Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Computers&Internet-General? Subjects-Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference Model-based Reasoning in Science, Technology, and Medicine (Studies in Computational Intelligence) Springer-Verlag? Lorenzo Magnani? Ping Li? Springer-Verlag? LorenzoMagnani? PingLi? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-General? Mobile And Wireless Systems Beyond 3g Managing New Business Opportunities Irm Pr? Margherita Pagani? IrmPr? MargheritaPagani? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-Security? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-CellularCommunications? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-WirelessCommunications? Subjects-Computers&Internet-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-Technology-General&Reference Encyclopedia of Developing Regional Communities With Information And Communication Technology IGI Global? Stewart Marshall? Wal Taylor? Xing Huo Yu? Wallace Taylor? IGIGlobal? StewartMarshall? WalTaylor? XingHuoYu? WallaceTaylor? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-General? Subjects-Computers&Internet? Subjects-Nonfiction-UrbanPlanning&Development-General? Subjects-Nonfiction-Education-Reference-Encyclopedias-Business? Subjects-Reference-Encyclopedias-Business? Subjects-Science-General Subjects-Science-Technology-General&Reference Mobile Services In The Networked Economy Irm Pr? Jarkko Vesa? IrmPr? JarkkoVesa? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-General? Subjects-Computers&Internet-WebDevelopment-Platforms&Administration-CellularCommunications? Subjects-Computers&Internet-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-Technology-General&Reference Working Virtually Challenges Of Virtual Teams Irm Pr? Robert Jones? Robert Oyung? Lise Pace? IrmPr? RobertJones? RobertOyung? LisePace? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-BusinessLife-Workplace? Subjects-Business&Investing-Management&Leadership-Leadership? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-VirtualReality? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Computers&Internet-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Leadership? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-Technology-General&Reference E-Learning And Virtual Science Centers Information Science Pub? Leo Tan Wee Hin? R. Subramaniam? InformationSciencePub? LeoTanWeeHin? R.Subramaniam? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-Home&Office-Internet-Web-BasedEducation? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference E-Learning And Virtual Science Centers Information Science Pub? Leo Tan Wee Hin? R. Subramaniam? InformationSciencePub? LeoTanWeeHin? R.Subramaniam? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-Home&Office-Internet-Web-BasedEducation? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Authentic Learning Environments In Higher Education Information Science Pub? Tony Herrington? Jan Herrington? InformationSciencePub? TonyHerrington? JanHerrington? ジャンル別? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-College&University-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-ByLevel-College? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Science-Technology-General&Reference Authentic Learning Environments In Higher Education Information Science Pub? Tony Herrington? Jan Herrington? InformationSciencePub? TonyHerrington? JanHerrington? ジャンル別? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-College&University-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-ByLevel-College? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Science-Technology-General&Reference Management Of The Object-oriented Development Process Idea Group Pub? Liping Liu? Boris Roussev? IdeaGroupPub? LipingLiu? BorisRoussev? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-Software-Design&Development-Object-OrientedDesign? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-Software-Design&Development-SoftwareProjectManagement? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-DesignTools&Techniques? Subjects-Science-Technology-General&Reference Management Of The Object-oriented Development Process Idea Group Pub? Liping Liu? Boris Roussev? IdeaGroupPub? LipingLiu? BorisRoussev? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-Software-Design&Development-Object-OrientedDesign? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-Software-Design&Development-SoftwareProjectManagement? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-DesignTools&Techniques? Subjects-Science-Technology-General&Reference Global Integrated Supply Chain Systems Idea Group Pub? Yi-chen Lan? Bhuvan Unhelkar? IdeaGroupPub? Yi-chenLan? BhuvanUnhelkar? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-Industries&Professions-Purchasing&Buying? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-LAN? Subjects-Computers&Internet-Software-Business-General? Subjects-Computers&Internet-General? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-Purchasing&Buying? Subjects-Science-Technology-General&Reference Global Integrated Supply Chain Systems Idea Group Pub? Yi-chen Lan? Bhuvan Unhelkar? IdeaGroupPub? Yi-chenLan? BhuvanUnhelkar? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-Industries&Professions-Purchasing&Buying? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-LAN? Subjects-Computers&Internet-Software-Business-General? Subjects-Computers&Internet-General? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-Purchasing&Buying? Subjects-Science-Technology-General&Reference Managing Business In A Multi-Channel World Success Factors For E-Business Idea Group Pub? Timo Saarinen? Markku Tinnila? Anne Tseng? IdeaGroupPub? TimoSaarinen? MarkkuTinnila? AnneTseng? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-Industries&Professions-Retailing? Subjects-Computers&Internet-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Managing Business In A Multi-Channel World Success Factors For E-Business Idea Group Pub? Timo Saarinen? Markku Tinnila? Anne Tseng? IdeaGroupPub? TimoSaarinen? MarkkuTinnila? AnneTseng? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-Industries&Professions-Retailing? Subjects-Computers&Internet-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Managing E-Learning Design, Delivery, Implementation And Evaluation Information Science Pub? Badrul Huda Khan? InformationSciencePub? BadrulHudaKhan? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-Software-Design&Development-SoftwareProjectManagement? Subjects-Computers&Internet-Home&Office-Internet-Web-BasedEducation? Subjects-Nonfiction-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Science-Technology-General&Reference Managing E-Learning Design, Delivery, Implementation And Evaluation Information Science Pub? Badrul Huda Khan? InformationSciencePub? BadrulHudaKhan? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-Software-Design&Development-SoftwareProjectManagement? Subjects-Computers&Internet-Home&Office-Internet-Web-BasedEducation? Subjects-Nonfiction-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Science-Technology-General&Reference Religion And Technology in the 21st Century Faith in the E-world Information Science Pub? Susan George? InformationSciencePub? SusanGeorge? ジャンル別? Subjects-Nonfiction-Philosophy-General? Subjects-Nonfiction-Philosophy-Religious? Subjects-Religion&Spirituality-General? Subjects-Science-Technology-General&Reference Online Assessment And Measurement Case Studies from Higher Education, K-12 and Corporate Information Science Pub? Scott L. Howell? Mary Hricko? InformationSciencePub? ScottL.Howell? MaryHricko? ジャンル別? Subjects-Nonfiction-Education-College&University-General? Subjects-Nonfiction-Education-EducationTheory-Assessment? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Theory-Assessment? Subjects-Reference-Education-Testing? Subjects-Science-Technology-General&Reference Online Assessment And Measurement Case Studies From Higher Education, K-12 And Corporate Information Science Pub? Scott L. Howell? Mary Hricko? InformationSciencePub? ScottL.Howell? MaryHricko? ジャンル別? Subjects-Nonfiction-Education-College&University-General? Subjects-Nonfiction-Education-EducationTheory-Assessment? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Theory-Assessment? Subjects-Reference-Education-Testing? Subjects-Science-Technology-General&Reference Assessing the Value of E-learning Systems Information Science Pub? Yair Levy? InformationSciencePub? YairLevy? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-Home&Office-Internet-Web-BasedEducation? Subjects-Nonfiction-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Professional&Technical-Education-SpecificSkills-Science&Technology? Subjects-Science-Technology-General&Reference Assessing the Value of E-learning Systems Information Science Pub? Yair Levy? InformationSciencePub? YairLevy? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-Home&Office-Internet-Web-BasedEducation? Subjects-Nonfiction-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-DistanceLearning? Subjects-Professional&Technical-Education-SpecificSkills-Science&Technology? Subjects-Science-Technology-General&Reference Online Assessment, Measurement And Evaluation Emerging Practices Information Science Pub? David D. Williams? Scott L. Howell? Mary Hricko? InformationSciencePub? DavidD.Williams? ScottL.Howell? MaryHricko? ジャンル別? Subjects-Nonfiction-Education-EducationTheory-Assessment? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Theory-Assessment? Subjects-Reference-Education-Testing? Subjects-Science-Technology-General&Reference Internet Strategy The Road to Web Services Solutions Irm Pr? Wendy Currie? Matthew W. Guah? IrmPr? WendyCurrie? MatthewW.Guah? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-InternetPublishing? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Computers&Internet-Hardware-General? Subjects-Computers&Internet-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Science-Technology-General&Reference Internet Strategy The Road to Web Services Solutions Irm Pr? Matthew W. Guah? Wendy Currie? IrmPr? MatthewW.Guah? WendyCurrie? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-InternetPublishing? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Computers&Internet-Hardware-General? Subjects-Computers&Internet-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Science-Technology-General&Reference Mobile Multimedia Communications Concepts, Applications and Challenges Information Science Reference? Gour Karmakar? Laurence S. Dooley? InformationScienceReference? GourKarmakar? LaurenceS.Dooley? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-Technology-General&Reference Harnessing Knowledge Dynamics Principled Organizational Knowing Learning Irm Pr? Mark E. Nissen? IrmPr? MarkE.Nissen? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-BusinessLife-OrganizationalLearning? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Professional&Technical-BusinessManagement-OrganizationalLearning? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Science-Technology-General&Reference Harnessing Knowledge Dynamics Principled Organizational Knowing Learning Irm Pr? Mark E. Nissen? IrmPr? MarkE.Nissen? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-BusinessLife-OrganizationalLearning? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology? Subjects-Professional&Technical-BusinessManagement-OrganizationalLearning? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Science-Technology-General&Reference Implementation Strategies for Sap R/3 in a Multinational Organization Lessons from a Real-world Case Study Cybertech Pub? Chetan S. Sankar? Karl-heinz Rau? CybertechPub? ChetanS.Sankar? Karl-heinzRau? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-International-General? Subjects-Business&Investing-Management&Leadership-Systems&Planning? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Systems&Planning? Subjects-Science-Technology-General&Reference Implementation Strategies for Sap R/3 in a Multinational Organization Lessons from a Real-world Case Study Cybertech Pub? Chetan S. Sankar? Karl-heinz Rau? CybertechPub? ChetanS.Sankar? Karl-heinzRau? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-International-General? Subjects-Business&Investing-Management&Leadership-Systems&Planning? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Systems&Planning? Subjects-Science-Technology-General&Reference The 2nd Digital Revolution Irm Pr? Stephen J. Andriole? IrmPr? StephenJ.Andriole? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Business&Investing-Industries&Professions-E-commerce-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Computers&Internet-Business&Culture-E-commerce? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Science-Technology-General&Reference Encyclopedia of Gender And Information Technology IGI Global? Eileen Moore Trauth? IGIGlobal? EileenMooreTrauth? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-Biographies&Primers-Women&Business? Subjects-Computers&Internet-General? Subjects-Nonfiction-SocialSciences-GenderStudies-General? Subjects-Nonfiction-Women sStudies-Women&Business? Subjects-Nonfiction-Education-Reference-Encyclopedias-Business? Subjects-Nonfiction-Education-Reference-Encyclopedias-General? Subjects-Reference-Encyclopedias-Business? Subjects-Reference-Encyclopedias-General? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Business? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Managing Modern Organizations With Information Technology Idea Group Pub? Mehdi Khosrow-Pour? IdeaGroupPub? MehdiKhosrow-Pour? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Computers&Internet-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Science-Technology-General&Reference Contemporary Research In E-marketing (Contemporary Research in E-Marketing) Idea Group Pub? Sandeep Krishnamurthy? IdeaGroupPub? SandeepKrishnamurthy? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-E-commerce-InternetMarketing? Subjects-Business&Investing-Marketing&Sales-Marketing-General? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-General? Subjects-Computers&Internet-Business&Culture-WebMarketing? Subjects-Computers&Internet-Home&Office-Internet-OnlineSearching? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Marketing-General? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Marketing-WebMarketing? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書
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Loreley 「ローレライ」 詞／In Extremo 曲／In Extremo 言語／ドイツ語 歌詞 Zwanzig Jahre noch am Start Zwanzig Jahre Himmelfahrt Zwanzig Jahre Gott sei dank Denn manchmal haben wir auch gezankt Zwanzig Jahre nie verbogen Das große Los gezogen Zwanzig Jahre wie die Harten Zwanzig Jahre Kindergarten Wir machen ein Fass auf Lassen Sieben gerade sein Wir machen ein Fass auf Denn wir sind vogelfrei Wir machen ein Fass auf Zwanzig Jahre durch den Wind Wir machen ein Fass auf Schön, dass wir beisammen sind Zwanzig Jahre mit viel Lärm Dafür habt ihr uns gern Zwanzig Jahre Fette Wurst Und Abends immer großem Durst Komm wir heben unsere Becher Denn Schnaps macht frech und immer frecher Lauthals prost auf graue Haare Auf die nächsten zwanzig Jahre Dort wo Schiff an Schiff Am Felsen klemmt Und oben auf den Steinen Die Lore sich die Haare kämmt Dort wo in der Nacht Unser Feuer brennt Drehen wir frei Auf der Loreley Wir machen ein Fass auf Lassen Sieben gerade sein Wir machen ein Fass auf Denn wir sind vogelfrei Wir machen ein Fass auf Zwanzig Jahre durch den Wind Wir machen ein Fass auf Schön, dass wir beisammen sind 日本語訳 二十年、まだ始まったばかり 二十年、天にも昇る気持ち 二十年、やって来れてよかった 俺たちだって何度もいがみ合ってきたのだから 二十年、隠れもせず 大当たりをつかんだのだ 二十年、強い者のように（※1） 二十年、まるで幼稚園 さあ樽を開けよう 七人はあるがままでいたいんだ さあ樽を開けよう 俺たちは鳥のように自由だから さあ樽を開けよう 二十年、風の中を駆け抜けて さあ樽を開けよう 一緒に居られて嬉しいよ 二十年、皆で一緒に騒ぎ だからこそ、皆に気に入られたのだ 二十年、太いソーセージを食らい 夕方にはいつも酒を欲していた さあ一緒にグラスを掲げよう 酒を入れて、どんどんはっちゃけてしまおう 声高らかに乾杯しよう、白髪に そして次の二十年に その場所では船が相次いで 岩場に引っ掛かってきた そして岩の上では 伝説の妖精が髪を梳かしている その場所では夜になれば 俺たちの炎が燃え上がる 俺たちは自由に船を動かせるんだ このローレライで さあ樽を開けよう 七人はあるがままでいたいんだ さあ樽を開けよう 俺たちは鳥のように自由だから さあ樽を開けよう 二十年、風の中を駆け抜けて さあ樽を開けよう 一緒に居られて嬉しいよ 補足・解説 この曲は、2015年にライン川の名勝ローレライの近くで行われた、バンド20周年記念ライブ「20 Wahre Lieder」のために書き下ろされたものです。 ※1 2行にわたり、ドイツのことわざからの引用。本来の形は "Nur die Harten kommen in den Garten."（直訳：強い者だけが庭に入れる）で、「辛い状況にも耐え抜いた人だけが成功を掴める」といった意味になりますが、この曲の歌詞では茶化して Garten（庭） を Kindergarten（幼稚園）に変えています。
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Seeing the Light Regaining Control of Our Electricity System Inst for Local Self Reliance? David Morris? InstforLocalSelfReliance? DavidMorris? ジャンル別? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Nonfiction-Government-FederalGovernment? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Appropriate Technology Sourcebook Volunteers in Asia? Ken Darrow? Rick Pan? VolunteersinAsia? KenDarrow? RickPan? ジャンル別? Substores-UnknownASINs-31? Subjects-Science-Technology-General&Reference Teknologi Kampungan A Collection of Indigenous Indonesian Technologies Volunteers in Asia? Craig Thorburn? VolunteersinAsia? CraigThorburn? ジャンル別? Substores-UnknownASINs-31? 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Subjects-Science-General Subjects-Science-Technology-General&Reference State of the Art of Energy-Efficiency Future Directions (Series on Energy Conservation and Energy Policy) Amer Council for An Energy? Edward Vine? Drury Crawley? AmerCouncilforAnEnergy? EdwardVine? DruryCrawley? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Energy-EnergySaving? Subjects-Engineering-Mechanical-General? Subjects-Home&Garden-HomeDesign-EnergyEfficientDesign? Subjects-Home&Garden-How-to&HomeImprovements-Plumbing&HouseholdAutomation? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Energy-EnergySaving? 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まえがき へんてこ腕時計のまとめページを作ってみる。 とりあえず定番リンク シーホープ：ART DESIGN WATCH http //www.seahope.com/ http //store.yahoo.co.jp/art-designwatch/index.html Tokyoflash（シーホープの海外向けHP?） http //tokyoflash.com/ Wrist Dreams（へんてこ腕時計のニュースサイト） http //www.wristdreams.com/ 時計屋さん http //www.10keiya.com/ http //www.10keiya.com/category/c195000_001.html コレクターの方のページ http //henwatch.hp.infoseek.co.jp/ http //homepage.mac.com/utdesign/watch/ http //homepage2.nifty.com/speedster/1481010top.htm 個人的にはアナログ時計が読めない子なんで、デジタルが好き。 ましてや文字盤に何にも描いてないアナログはありえない。 そんな奴が適当に書いてます。基本的に個人用の覚え書きです。 目次 まえがき 目次 バングルっぽい アナログっぽいデジタルっぽい 逆にアナログすぎる デジアナっぽい ばかでっかい じゃぴょん 逆回転っぽい 変態アナログ その他アナログ 映画のタイアップとか すごくすごいの 未だ未整理 あとがき バングルっぽい Fossilのスタルクウォッチhttp //www.rakuten.co.jp/nuts/400167/427174/362721/ http //www.fossil.com/～ 竜頭は痛い。のでバングルタイプのシンプルな形で突起が無い、スタルクの特に初期の頃のがお気に入り。 セイコー スペクトラム。電子インク。http //www.seiko-watch.co.jp/～ 試作の頃のデザインのが良かったかな。 アナログっぽいデジタルっぽい Ｉ PATTERN http //www.seahope.com/page064.html solsuno http //www.solsunoworld.com/world_division/jap/spec01jp.htm FUSION http //www.seahope.com/page067.html METRO http //www.store-mix.com/～ 逆にアナログすぎる http //japanese.engadget.com/2006/01/30/approx-watch/ 上のに似てるかな？FOSSILのフランク・ゲーリーhttp //www.rakuten.co.jp/nuts/427131/575579/ #ref error ：ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (06080637.JPG) http //www.rakuten.co.jp/katsuboya/137722/426810/ ゲーリーさんは、もともとこんな手書きアナログをデザインしてた。 デジアナっぽい o.d.m.のアンカンプロマイシングてのhttp //www.g-tokei.com/odm.htm STORM NAVIGATOR http //frogman-web.hp.infoseek.co.jp/watch/storm.htm ばかでっかい GLYCINE F104 http //www.rakuten.co.jp/katsuboya/149524/150620/ アナログだとこんなんが馬鹿っぽくていい感じ。 ZENO http //www.rakuten.co.jp/katsuboya/152617/194409/ でもこれはなんでもないアナログだから馬鹿っぽいのであって、 GLYCINE AIRMAN７ http //www.rakuten.co.jp/katsuboya/149524/408497/ これとか NAUTICA N-MX62 http //www.rakuten.co.jp/katsuboya/137355/369887/ こうなっちゃうとかっこよくなっちゃって無しかな。 MUSK MR2129 http //store.yahoo.co.jp/big-market/muskc0a4b3.html こりゃやりすぎだし。てゆうかリューズが飾りってのが無し。 じゃぴょん ジャン イヴhttp //www.yoka-tokei.com/jendeve.htm フランクミュラーhttp //www.lexson.co.jp/franck38_5qqq.htm#9 ジェラルド・ジェンタhttp //www.ts-horiuchi.jp/tsdat/1803.html アナログでもジャンピングアワーは面白いね。 逆回転っぽい サルバトーレマーラhttp //item.rakuten.co.jp/mens/woml036/ 逆回転とか。 石川時計眼鏡店さんの逆回転時計http //www2.wind.ne.jp/time/24h_1.htm 群馬にもこんな時計屋さんがあるんだ。 もういっちょ。逆回転時計は他にも左利きさん専門店とかでも見かけるね。 変態アナログ Carlo Ferrara http //www.tokei2000.com/history/carlo.htm http //www.lexson.co.jp/brand36.htm abacus http //www.amitacorp.co.jp/abacus/index2.html マジック・オブ・タイム／トト・ロットhttp //www.beyes.jp/shop/fathersgarden/511877.php アバカスの新しいの。ロト付き。 アースウォッチhttp //www.endogem.co.jp/wn1.htm その他アナログ グレース・ファブリオ アシンメトリックhttp //www.yoka-tokei.com/grace2.htm NUTS COLLECTIONのMARRE MOEREL http //www.rakuten.co.jp/nuts/427131/285534/431453/ PLUGUE FLAP STRAP http //www.tictac-web.com/original_ladys.html#plugue 映画のタイアップとか HAMILTON X-01 http //www.rakuten.co.jp/katsuboya/145705/442523/ 2001年宇宙の旅のやつ Android ALIEN http //www.android-usa.com/watch.php?sku=AD52BBU 映画関連でもうひとつ。リベリオンのやつ。 http //www.tanomi.com/limited/html/00025.html ２連アナログだとこんなのも。私は胃薬入れときます。 http //eg.nttpub.co.jp/news/20010612_05.html リストホロ。全然違うじゃん、がっかり。 spoon web http //dianaweb.fc2web.com/new_page_8.htm リストホロのベースらしい。 ウルトラセブンの すごくすごいの QUINTINGのミステリーウォッチhttp //www.quinting-watches.com/frameset_eng.htm ここのクロノグラフ凄ぇ。 #ref error ：ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (06080634.JPG) 2530万円http //pya.cc/pyaimg/pimg.php?imgid=23575 個人で作ってるんで、ちょっと違うけど。http //www.eager-beavers.net/products/shouhin_guide.cgi?temp=TMP0 かっこよすぎ。 未だ未整理 http //www.otium-uhren.de/index.html http //www.thixwatch.com/ http //depart.livedoor.com/search/gci/?o= p=1 word=thix http //www.10keiya.com/category/c165000_001.html http //ecustom.listing.rakuten.co.jp/～ http //www.super-brandstreet.com/～ あとがき http //www.crepha.jp/index.html http //www.crepha.jp/products/watch/tel_list1.html とまぁいろいろ書きましたが、結論としては近所のＤＩＹ屋さんで買った千円でおつりが来ちゃうテルバのストップウォッチ付きが一番だったりして。 あ、そうだ。なんか管理人さんが好きそうな腕時計知ってたら、そっと教えてあげてください。 すごく見づらそう。http //www.urwerk.com/ o.d.m.のバングル風。http //www.wristdreams.com/archives/000896.html あ、o.d.m.のオフィシャルhttp //www.odm-design.com/home.html バングルっつえばこんなのも。http //www.wristdreams.com/archives/000920.html お安いジャンピングアワー。http //www.gizmodo.jp/2007/01/cgjhd.html 最近ｍｐ４腕時計がちらほら出てきてるけど、その本命っぽい。http //japanese.engadget.com/2007/01/12/iriver-bluetooth-usb-bracelet/ -- かりんにん (2007-01-21 16 29 17) 砂時計腕時計http //www.seihin.com/s/2007/01/28_2327.php ある意味砂時計http //www.gizmodo.jp/2007/01/post_805.html ｍｐ４腕時計バングル風味http //www.wristdreams.com/archives/001167.html -- かんにりん (2007-02-09 01 35 01) なんかユビキタス。http //www.gizmodo.jp/2007/02/just_in_time_1.html -- かにんりん (2007-02-11 11 04 26) なんかスパムが多いんで、一旦書き込み出来なくします。てゆうか、俺しか書き込まないし。-- かんににん (2007-03-07 22 46 03) http //www.gizmodo.jp/2007/03/post_1142.html -- かんににん (2007-03-20 00 00 01)
https://w.atwiki.jp/oper/pages/3392.html
Le théâtre représente un parc. — À gauche, l’entrée d’une maison de riche apparence. — À droite, un petit pavillon. — Table et chaises de jardin. Scène PREMIÈRE （THÉODORINE, entrant et s’adressant au public.） Est-ce que ça se voit? hein?… Est-ce que ça se voit?… Ma figure est-elle toujours placide? Oui… allons tant mieux, car depuis dix-huit ans je cache dans les profondeurs de mon âme, un secret qui me tue!… Ce secret, — que personne ne connaît… heureusement! car s’il était connu, il est évident que ce ne serait plus un secret, — ce secret, dis-je, c’est surtout à mon mari que je dois le cacher… （s’interrompant et au public.） Eh bien non… Ce n’est pas ça… je n’ai jamais manqué à mes devoirs d’épouse… Jamais! jamais!… （Avec bonhomie.） Parole d’honneur… Du reste ce ne serait rien… rien du tout… C’est bien plus fort que ça!… Et ne pouvoir le dire, ne pouvoir le transvaser dans le sein d’une amie… Oh! les secrets, c’est comme les gros vins du Midi, quand ça a trop de bouteille ça s’aigrit! Le mien a besoin d’être soutiré… je vais toujours me le dire à moi-même pour me soulager. Voilà ce que c’est. Le tambour battait… ▼ROMBOÏDAL▲ （au dehors.） Ma femme!… Où est ma femme?… ▼THÉODORINE▲ Mon mari… Que le ciel le patafiole! il arrive toujours mal à propos. Scène II （ROMBOÏDAL, THÉODORINE.） ▼ROMBOÏDAL▲ （entrant.） Qu’est-ce qu’on me dit… mon cheval fourbu, mes porcelaines cassées, et c’est encore Hermosa!… Bridez votre fille, madame, bridez votre fille… ▼THÉODORINE▲ （doucement.） Mais, mon ami, je fais ce que je peux… ▼ROMBOÏDAL▲ Il est fabuleux que moi, Romboïdal, grand sénéchal du duc Cacatois XXII, souverain de l’île de Tulipatan, — moi, qui suis d’un caractère onctueux et d’un commerce agréable, il est fabuleux, dis-je, que j’aie pour fille une enfant aussi indisciplinée… C’est de votre faute, vous lui laissez faire toutes ses volontés… ▼THÉODORINE▲ （avec sentiment.） Octogène, je n’ai qu’elle!… ▼ROMBOÏDAL▲ （avec hauteur.） Est-ce un reproche que vous m’adressez, madame? ▼THÉODORINE▲ （doucement.） À Dieu ne plaise!… Quand on fait ce qu’on peut, on fait ce qu’on doit… Mais pourquoi récriminer, mon ami? — Hermosa est ainsi faite, nous ne pouvons pas la changer… on peut courber le zinc, mais l’acier, on le brise!… Octogène, vous ne voudriez pas que je la brisasse! ▼ROMBOÏDAL▲ Que vous la brisassiez, non, — que vous la bridassiez, oui… Tenez, madame, voulez-vous que je vous dise, ce n’est pas une fille que nous avons-là… C’est un garçon manqué! ▼THÉODORINE▲ （à part, très-émue.） Ô ciel! ▼ROMBOÏDAL▲ （vivement.） Qu’est-ce que vous dites, Théodorine? ▼THÉODORINE▲ （se remettant.） Rien, Octogène, rien… J’abonde dans votre sens… Une femme honnête doit toujours abonder dans le sens de son mari… （On entend au dehors un coup de fusil.） Quel est ce bruit? ▼ROMBOÏDAL▲ Parbleu! Je parie que c’est encore Hermosa qui fait des siennes… （Voyant entrer Hermosa.） Tenez! qu’est-ce que je disais!… Scène III （Les Mêmes, HERMOSA.） ▼HERMOSA▲ （entrant vivement par le fond, un fusil à la main.） J’aime le tintamarre Ce qui me séduit C’est la bagarre Et le bruit! On dit que je suis une fille Entre nous je trouve pourtant Qu’en silence tirer l’aiguille C’est bien fade et bien embêtant! J’aime le parfum de la poudre J’aime le bruit et le fracas, Laissons les machines à coudre Remmailler chastement les bas. J’aime le tintamarre Ce qui me séduit C’est la bagarre Et le bruit! Bing! bing! Patapouf! ▼HERMOSA▲ Bonjour, maman! Bonjour, papa! ▼ROMBOÏDAL▲ （lui prenant son fusil.） D’où viens-tu?… Qui est-ce qui t’a permis de prendre ce fusil? ▼HERMOSA▲ Personne… Mais j’aime ça, moi, les fusils!… Pif, paf!… ça fait du bruit… J’aime ça. ▼THÉODORINE▲ （doucement.） Si elle aime ça, mon ami… ▼ROMBOÏDAL▲ Voilà comme vous la soutenez toujours! ▼THÉODORINE▲ （avec sentiment.） Je n’ai qu’elle, Octogène ▼ROMBOÏDAL▲ Vous me l’avez déjà dit… Je vous répète, moi, que ces ustensiles sont déplacés dans des mains féminines… On n’a jamais vu ça!… ▼HERMOSA▲ （vivement.） Pardon, papa, pardon… Diane… ▼THÉODORINE▲ Elle a raison… Diane… Diane chasseresse, ne sortait jamais qu’en armes… et en petite tenue, en très-petite tenue… ▼ROMBOÏDAL▲ C’était une déesse… ▼THÉODORINE▲ Vous allez peut-être dire du mal des déesses, maintenant! ▼ROMBOÏDAL▲ Non! mais les déesses peuvent se permettre certaines fantaisies qu’une femme du monde doit s’interdire sévèrement. （À Alexis.） Vous pratiquez le fusil et vous négligez la couture et le piano… ▼HERMOSA▲ Oh! la couture, ça me crispe… Le piano, ça m’agace… J’aimerais bien mieux apprendre le cor de chasse… ▼ROMBOÏDAL▲ Le cor de chasse!… ▼HERMOSA▲ Ça résonne, ça fait du bruit… J’aime ça… ▼ROMBOÏDAL▲ Et moi je vous dis que le piano… ▼THÉODORINE▲ （vivement.） Mon Dieu, mon ami, si elle préfère les instruments à vent… où est le mal?… On dit que ça développe… ▼ROMBOÏDAL▲ Je la trouve suffisamment développée comme ça… d’ailleurs une jeune fille de son âge doit, avant tout, être suave… Eh bien, positivement, elle manque de suavité… ▼THÉODORINE▲ Je ne trouve pas… elle a sa petite suavité à elle. ▼ROMBOÏDAL▲ （avec amertume.） Ah! je ne suis pas un père chançard!… Je vois tout autour de nous des gens qui ont des enfants bien élevés, tandis que moi… Tenez, sans aller bien loin, notre gracieux du Cacatois… il a tous les bonheurs, lui!… D’abord il est veuf, c’est déjà une bonne chose… ▼THÉODORINE▲ Octogène, vous êtes amer… ▼ROMBOÏDAL▲ Pardon… et puis il a un fils, le prince Alexis, un enfant doux, tranquille et soumis… quoiqu’il appartienne au sexe fort… ▼HERMOSA▲ Et pourtant il est si gentil… Il a l’air d’une demoiselle… ▼THÉODORINE▲ （vivement.） Trop même… car son père s’en plaint… ▼HERMOSA▲ Ah! les pères se plaignent toujours… ça n’empêche pas que je le trouve charmant… Ah! papa! qu’il est joli, qu’il est joli, qu’il est joli! ▼ROMBOÏDAL▲ Eh bien! Hermosal qu’est-ce que ça veut dire?… Sapristi, un peu de retenue!… ▼HERMOSA▲ Mais papa!… j’en ai… ▼ROMBOÏDAL▲ Pas assez!… ▼HERMOSA▲ （se révoltant.） Ah! bien! tant pis… je suis dans l’âge où le cœur doit parler… et le mien parlera… il parlera!… il parlera!… ▼ROMBOÏDAL▲ （à Théodorine, avec amertume.） Quand je vous disais de la brider, avais-je raison, madame? ▼THÉODORINE▲ （apercevant un valet qui entre.） Silence devant la domesticité, mon ami! ▼ROMBOÏDAL▲ （au valet.） Qu’est-ce?… （Le valet lui parle bas.） Ah! mon Dieu!… Ah! mon Dieu! ▼THÉODORINE▲ Qu’y a-t-il donc? ▼ROMBOÏDAL▲ Le duc… le duc qui vient chez moi… ▼THÉODORINE▲ Le duc! ▼ROMBOÏDAL▲ （à sa femme.） Ôtez donc vos papillotes… （Théodorine ôte ses papillotes.） ▼THÉODORINE▲ Voilà… voilà… ▼ROMBOÏDAL▲ Attention! voici Son Altesse!… Scène IV （Les Mêmes, CACATOIS XXII, Officiers, Valets, Seigneurs, Dames, puis ALEXIS. ▼CHŒUR▲ Vive le grand Cacatois! Répétons tous à la fois Avec attendrissement, Vive Cacatois le Grand! ▼CACATOIS▲ Prince doux et fort débonnaire, Vous voyez le grand Cacatois. Mes sujets, dont je suis le père, M’aiment tous, du moins je le crois. Si l’on vous dit dans les gazettes Que je ne digère pas bien, Que j’ai payé toutes mes dettes, Mes chers amis, n’en croyez rien! Sur ma parole, C’est un canard! Un bruit frivole, Un traquenard! C’est un canard! Coin! coin! coin! coin! Si parfois un journal affirme En tête de ses faits-divers, Que je ne suis qu’un vieil infirme, Et que j’entends tout de travers! Si l’on dit que je perds la tête Et ma fortune aux dominos, Que je suis quelquefois pompette… Ne croyez pas à ces propos! Sur ma parole C’est un canard, Un bruit frivole, Un traquenard! C’est un canard. Coin! coin! coin! coin! ▼ROMBOÏDAL▲ （s’avançant pour le complimenter.） Ce jour, prince, est un jour… est le plus beau des jours… ▼CACATOIS▲ （l’interrompant.） Bon! bon! cela suffit… abrège ton discours… ▼ROMBOÏDAL▲ Volontiers… mais où donc est le prince Alexis? ▼CACATOIS▲ Sur un banc de ton parc, je crois qu’il est assis, Il y pleure comme une biche Un oiseau, de sa cage envolé ce matin… ▼ROMBOÏDAL▲ （remontant un peu.） Le voici qui paraît à l’angle du jardin… ▼CACATOIS▲ （regardant au fond.） En pleurnichant encor!… ▼HERMOSA▲ （avec élan.） Dam! s’il a du chagrin! ▼CACATOIS▲ （avec colère.） Je n’aime pas à voir un prince qui pleurniche! （Alexis entre par le fond suivi de ses pages.） ▼ALEXIS▲ J’ai perdu mon ami, J’ai l’âme désolée! Mon joli colibri, Il a pris sa volée! Tous les matins j’ornais sa cage Et l’admirais à mon réveil. Ah! que j’aimais son doux ramage Au premier rayon du soleil! J’ai perdu mon ami, Etc., etc. Mais maintenant où peut-il être? Si je le voyais revenir, Ah! je fermerais ma fenêtre Pour l’empêcher de repartir! J’ai perdu mon ami! Mon âme est désolée, Mon joli colibri, Il a pris sa volée! ▼CACATOIS▲ （avec colère, à Alexis.） Quand vous aurez fini de pleurer de la sorte, Vous le direz. （À sa suite.） Que tout le monde sorte! ▼LE CHŒUR▲ （en pleurant.） J’ai perdu mon ami, J’ai l’âme est désolée… ▼CACATOIS▲ （les interrompant.） Non, non, pas cet air-là. — Le refrain précédent Pour un chœur de sortie a bien plus de mordant! ▼LE CHŒUR▲ Sur ma parole, C’est un canard! Un bruit frivole, Un traquenard! C’est un canard! Coin! coin! coin! coin! （Les seigneurs, les dames, les soldats et les pages se retirent.） Scène V （CACATOIS, ROMBOÏDAL, THÉODORINE, HERMOSA, ALEXIS.） ▼CACATOIS▲ A-t-on jamais vu!… se désoler comme ça pour un oiseau!… （À Alexis.） Est-ce que ça va durer longtemps? ▼ALEXIS▲ （baissant les yeux.） Mon père, je… （Il s’arrête.） ▼CACATOIS▲ （l’imitant.） Mon père, je… mon père, je… Ça n’est pas une réponse… nom d’une trompette! De tous temps les Cacatois ont été de rudes lapins… vous, monsieur, vous n’êtes pas un rude lapin… on l’a déjà remarqué… ▼ALEXIS▲ Je ferai mon possible pour changer… ▼HERMOSA▲ （vivement.） Ah! ce serait dommage!… ▼ROMBOÏDAL▲ （sévèrement.） Hermosa!… ▼CACATOIS▲ Je suis fâché de l’avouer devant le monde… mais vous manquez de zinc, Alexis. — vous manquez complétement de zinc! Vous êtes d’une timidité, d’une froideur!… Ah! songez, quelle humiliation ce serait pour moi si j’entendais le peuple s’écrier sur votre passage Orgeat, limonade, bière!… ▼ALEXIS▲ Papa!… ▼CACATOIS▲ （furieux.） Brisons là!… （Tirant sa montre, à Romboïdal.） Quelle heure as-tu? ▼ROMBOÏDAL▲ （tirant sa montre.） Une heure trois quarts… ▼CACATOIS▲ Tu vas bien? ▼ROMBOÏDAL▲ （lui tendant la main.） Pas mal, et vous? ▼CACATOIS▲ （la repoussant avec violence.） Je ne te parle pas de ta santé, ça m’est bien égal. （Changeant de ton et très-gaiement.） Moi, ça va bien… il n’y a que mon lombago qui me tourmente, ▼THÉODORINE▲ Voilà ce qu’on gagne à guerroyer! ▼HERMOSA▲ （vivement.） Oh! la guerre!… la guerre!… Pif! paf!… boum!… ça fait du bruit… J’aime ça!… ▼THÉODORINE▲ （bas.） Hermosa, je t’en prie… Ton père va encore bougonner!… ▼CACATOIS▲ （mettant son lorgnon.） Oh! oh!… c’est ta fille… toujours une gaillarde, à ce que je vois… ▼ROMBOÏDAL▲ Toujours, monseigneur. ▼CACATOIS▲ Il faut la marier, ça la calmera… J’ai aussi quelques idées pour mon fils… Je lui cherche un bon parti.. ▼ROMBOÏDAL▲ （avec effroi.） Eh quoi! vous voudriez!… Il est encore bien jeune… ▼CACATOIS▲ Les Cacatois se marient très-jeunes… ça leur est ordonné… ▼ROMBOÏDAL▲ （à part.） Ah! mon Dieu!… que faire? ▼CACATOIS▲ （tirant sa montre.） Quelle heure as-tu? ▼ROMBOÏDAL▲ （à part.） C’est un nouveau tic… （Tirant sa montre.） Deux heures moins cinq… ▼CACATOIS▲ Tu vas bien? ▼ROMBOÏDAL▲ （troublé et lui tendant la main.） Pas mal… et vous?… ▼CACATOIS▲ （la repoussant avec colère.） Mais, sapristi! je ne te parle pas de ta santé… je t’ai déjà dit que ça m’était bien égal… Si je te demande ça, c’est parce que c’est l’heure de mon déjeuner. ▼THÉODORINE▲ （vivement.） Votre déjeuner! monseigneur daignerait-il nous faire l’honneur… ▼CACATOIS▲ Je vous ferai cet honneur. ▼ROMBOÏDAL▲ Que de bonté! （Bas à sa femme） Encore une dépense, vous aviez bien besoin de l’inviter. ▼THÉODORINE▲ Il se serait invité tout seul… Dites donc, Octogène, vous savez que je n’ai plus d’argent, nous sommes à la fin du mois. ▼ROMBOÏDAL▲ （bas.） Comment la fin du mois… nous sommes le 4. ▼THÉODORINE▲ （étonnée.） Le 4… ça ne m’a pas semblé long. ▼ROMBOÏDAL▲ Il suffit! voici 5 francs ; du moment qu’on fait les choses, il faut les faire convenablement. ▼THÉODORINE▲ （à part.） Quel pingre!… （Haut, à Cacatois.） Monseigneur, je vais donner des ordres （En s’en allant.） et m’ouvrir un œil dans le quartier!… （Elle sort par le fond.） ▼CACATOIS▲ （satisfait.） Un pareil empressement! je reviendrai souvent, très-souvent. （À Romboïdal.） Passons dans ton cabinet de travail, j’ai quatre cent trente-cinq pétitions à lire et deux mille trois cent vingt-sept signatures à donner avant le déjeuner. ▼ROMBOÏDAL▲ Permettez que je vous montre le chemin… ▼CACATOIS▲ （ à son fils.） Attends-moi un instant, Alexis… et du zinc, mon ami, du zinc… Songez quelle humiliation… （S’arrêtant.） Ah! je l’ai déjà dit. （À Romboïdal.） Marche, je te suis!… （Ils sortent à gauche.） Scène VI （ALEXIS, HERMOSA.） ▼HERMOSA▲ Quel bonheur, prince, on nous laisse ensemble… nous voilà en tête-à-tête. ▼ALEXIS▲ （s’éloignant.） C’est vrai, mademoiselle… ▼HERMOSA▲ Vous me fuyez! ▼ALEXIS▲ Non… mais seul avec une jeune fille… j’ai si peu l’habitude… ▼HERMOSA▲ Ne rougissez pas… ça n’en vaut pas la peine… et profitez du moment pour me faire la cour. ▼ALEXIS▲ La cour?… ▼HERMOSA▲ Certainement… ▼ALEXIS▲ （baissant les yeux.） C’est que je n’ose pas. ▼HERMOSA▲ Vous avez tort, il faut être audacieux… D’ailleurs nous sommes faits pour nous entendre ; vous êtes musicien, je suis musicienne, la musique nous mettra d’accord!… De quoi jouez-vous? ▼ALEXIS▲ De l’accordéon, et vous? ▼HERMOSA▲ Moi! de tout ce qui tape, résonne et fait du bruit. AIR J’aime tout ce qui sonne, Ce qui vibre et résonne, Je sens avec plaisir Mon cœur s’épanouir, Aux accords du trombone. （Imitant le trombone.） Cuin, cuin, cuin, cuin. Les instruments de guerre, Sont ceux que je préfère, Pour moi c’est un beau jour, Quand j’entends du tambour Le rafla populaire, （Imitant le tambour.） Rafla, raflafla, raflafla. Pour charmer une belle, À la flûte au basson, Je préfère le son Du violoncelle. （Imitant le violoncelle.） Froum… froum! froum… ENSEMBLE. Ah quel plaisir, quelle douceur, Ces instruments font mon bonheur! ▼HERMOSA▲ Vous voyez que nous nous entendons parfaitement ; allons, faites-moi votre déclaration. ▼ALEXIS▲ （avec effroi.） Ma déclaration?… ▼HERMOSA▲ Certainement, moi je suis une jeune fille… mon rôle est de rougir, de balbutier… Vous, vous devez être hardi et entraînant… vous devez vous mettre à mes genoux. ▼ALEXIS▲ À vos genoux?… ▼HERMOSA▲ （s’animant.） Allons, monsieur, mettez-vous à mes genoux! ▼ALEXIS▲ （troublé.） À vos genoux… ▼HERMOSA▲ （avec dépit.） Ah! si j’étais à votre place, il y a longtemps que ce serait fait… ▼ALEXIS▲ （vivement.） Ne me grondez pas… （se mettant à genoux.） M’y voici… ▼HERMOSA▲ À la bonne heure… je me recule un peu… par pudeur… mais vous, vous avancez vivement en me prenant la main… prenez-moi donc la main. ▼ALEXIS▲ （lui prenant la main.） Ah! comme il faut du courage!… （Hermosa fait un mouvement.） Mais j’en aurai… j’en aurai!… ▼HERMOSA▲ （l’imitant.） J’en aurai… j’en aurai… ayez-en… dites-moi Chère Hermosa, je vous aime… je vais parler à mon père… lui dire que nous voulons qu’on nous marie… demain… aujourd’hui… tout de suite… Mais allez donc… vous ne m’aidez pas du tout. ▼ALEXIS▲ （entraîné.） Si, si, vous avez raison… je parlerai à mon père… et je lui dirai que jamais, non jamais, je n’aurai d’autre femme que vous… （Il se jette aux genoux d’Hermosa.） Scène VII （Les Mêmes, ROMBOÏDAL et THÉODORINE.） ▼ROMBOÏDAL▲ （les apercevant.） Ciel!… que vois-je?… ▼THÉODORINE▲ （les apercevant.） Ah! sapristi! nom d’une bobinette! Voilà ce que je redoutais!… ▼HERMOSA▲ Pincés!… ça ne rate jamais! ▼ROMBOÏDAL▲ Eh quoi, prince… ▼ALEXIS▲ （se relevant.） Pas un mot… conduisez-moi près de mon père, il faut que je lui parle. ▼ROMBOÏDAL▲ Pardon, c’est que j’aurais voulu causer avec ma fille… ▼ALEXIS▲ （avec autorité.） Faites d’abord ce que je vous demande… ▼ROMBOÏDAL▲ Mais… ▼ALEXIS▲ （avec force.） Ce que je vous ordonne alors… obéissez, monsieur!… ▼ROMBOÏDAL▲ （surpris.） Quel changement!… （s’inclinant.） Altesse, je suis votre serviteur… （Avant de s’en aller, regardant Hermosa.） Oh! je reviendrai… je reviendrai… （Il sort avec Alexis par la gauche.） Scène VIII （THÉODORINE, HERMOSA.） ▼THÉODORINE▲ （à part.） Le silence n’est plus possible… allons, allons, il n’y a pas à hésiter… （Haut.） Hermosa, veuillez vous seoir. （D’une voix creuse.） J’ai un secret important à vous confier. ▼HERMOSA▲ Vous m’effrayez, maman… Vous avez l’air tout chose… ▼THÉODORINE▲ Fichtre! on le serait à moins… et tout d’abord je dois te dire que si tu mijotais des projets d’union avec le jeune Alexis il faudrait mettre ces projets dans le sac aux oublis… ▼HERMOSA▲ Impossible, maman… nous venons d’échanger des serments, je lui ai promis ma main… ▼THÉODORINE▲ Il y a mal-donne… et quand il y a mal-donne, la main passe. ▼HERMOSA▲ Ma mère… ma mère… vous êtes ambiguë… je ne vous comprends pas. ▼THÉODORINE▲ Tu me comprendras quand j’aurai déversé dans ton cœur le trop plein du mien. ▼HERMOSA▲ Déversez, alors, déversez!… ▼THÉODORINE▲ Je déverse… Il y avait une fois un grand sénéchal. （Hermosa fait un mouvement.） Ça commence comme un conte, mais rassure-toi, c’est de l’histoire… je reprends Il y avait une fois un grand sénéchal… ce grand sénéchal （nous le nommerons tout à l’heure） était marié avec une femme d’une beauté idéale et d’un esprit cultivé, une femme adorable!… cette femme （nous la nommerons tout à l’heure）, il lui naquit un bébé… ce bébé （nous le nommerons tout à l’heure） était charmant… adorable… comme sa mère dont il était la réduction Collas… par malheur le grand sénéchal était au service d’un duc qui venait de déclarer la guerre à ses voisins… Le tambour battait… la guerre menaçait de se prolonger indéfiniment, la mère trembla pour sa progéniture, et lors de la déclaration à la mairie de son arrondissement, elle eut la faiblesse d’annoncer une fille, au lieu d’un fils, au respectable employé préposé aux naissances. ▼HERMOSA▲ C’est très-intéressant… mais je ne comprends pas encore… ▼THÉODORINE▲ Tu ne comprends pas… alors mettons-y les noms… ce duc c’était Cacatois XXII… cette mère charmante, adorable, c’était moi… et ce bébé… ▼HERMOSA▲ （avec un cri.） C’était moi! ▼THÉODORINE▲ （se cachant la tête dans ses mains.） Tu l’as dit!… Tu l’as dit!… J’ai trompé ton père sur ton état civil… Tu n’appartiens pas au sexe gracieux et faible… Tu fais partie de celui qui a produit les Romulus, les Caracalla et les Pompée! ▼HERMOSA▲ Voilà donc pourquoi je manquais de flou… quelle révélation!… Ah! je suis un homme… morbleu! tête-bleue!… ▼THÉODORINE▲ （effrayée.） Ventre-bleu, silence, malheureux!… Si ton père t’entendait… Certainement il a d’excellentes qualités d’abord c’est un honnête homme… mais je le connais, c’est bien l’être le plus rageur… le plus susceptible… et s’il apprend que je l’ai abusé pendant dix-huit ans il est capable de s’en formaliser. ▼HERMOSA▲ Mais pourtant… ▼THÉODORINE▲ Laisse-moi le temps de le préparer adroitement… je profiterai d’un moment… où il sera bien disposé… il est vrai qu’il ne l’est jamais… enfin… je verrai… je chercherai… on dit que la foudre a des effets très-singuliers… un jour qu’il fera un joli petit orage, je mettrai peut-être ça sur le dos du tonnerre… qu’en dis-tu? ▼HERMOSA▲ Dam! il faudrait savoir si c’est dans les choses possibles. ▼THÉODORINE▲ Sois tranquille, je consulterai le pharmacien. ▼HERMOSA▲ Mais papa croira-t-il? ▼THÉODORINE▲ Parbleu!… je te l’ai déjà dit, ton père est un homme supé rieur, mais il est bête à manger du foin pour ces choses-là… quant au prince Alexis, tu comprends maintenant… qu’il faut y renoncer. ▼HERMOSA▲ （soupirant.） Ah oui… c’est dommage! ▼THÉODORINE▲ （attirant Hermosa dans ses bras.） Ô mon fils!… jusque-là, jure-moi le secret le plus absolu… ▼HERMOSA▲ Je vous le jure, maman… mais vous savez, au premier orage… ▼THÉODORINE▲ C’est convenu… （Voyant entrer Romboïdal.） Silence! voici ton père!… Scène IX （Les Mêmes, ROMBOÏDAL.） ▼ROMBOÏDAL▲ （qui entre vivement.） Ma femme est encore-là… éloignons-la adroitement. （Haut.） Théodorine… ▼THÉODORINE▲ Mon ami… ▼ROMBOÏDAL▲ La bonne demande une nappe et les couteaux à dessert… ▼THÉODORINE▲ J’y vais, Octogène… （À Hermosa.） Tu me l’as juré!… Silence!… （Haut.） J’y vais!… ▼THÉODORINE▲ Je vais chercher les petites cuillers Pour ce festin nous ne lésinons pas, Puis j’atteindrai les couteaux à desserts, Ça fait très-bien à la fin d’un repas. ENSEMBLE. Allez chercher les petites cuillers, etc. etc. Le théâtre représente un parc. — À gauche, l’entrée d’une maison de riche apparence. — À droite, un petit pavillon. — Table et chaises de jardin. Scène PREMIÈRE THÉODORINE, entrant et s’adressant au public. Est-ce que ça se voit? hein?… Est-ce que ça se voit?… Ma figure est-elle toujours placide? Oui… allons tant mieux, car depuis dix-huit ans je cache dans les profondeurs de mon âme, un secret qui me tue!… Ce secret, — que personne ne connaît… heureusement! car s’il était connu, il est évident que ce ne serait plus un secret, — ce secret, dis-je, c’est surtout à mon mari que je dois le cacher… s’interrompant et au public. Eh bien non… Ce n’est pas ça… je n’ai jamais manqué à mes devoirs d’épouse… Jamais! jamais!… Avec bonhomie. Parole d’honneur… Du reste ce ne serait rien… rien du tout… C’est bien plus fort que ça!… Et ne pouvoir le dire, ne pouvoir le transvaser dans le sein d’une amie… Oh! les secrets, c’est comme les gros vins du Midi, quand ça a trop de bouteille ça s’aigrit! Le mien a besoin d’être soutiré… je vais toujours me le dire à moi-même pour me soulager. Voilà ce que c’est. Le tambour battait… ROMBOÏDAL au dehors. Ma femme!… Où est ma femme?… THÉODORINE Mon mari… Que le ciel le patafiole! il arrive toujours mal à propos. Scène II ROMBOÏDAL, THÉODORINE. ROMBOÏDAL entrant. Qu’est-ce qu’on me dit… mon cheval fourbu, mes porcelaines cassées, et c’est encore Hermosa!… Bridez votre fille, madame, bridez votre fille… THÉODORINE doucement. Mais, mon ami, je fais ce que je peux… ROMBOÏDAL Il est fabuleux que moi, Romboïdal, grand sénéchal du duc Cacatois XXII, souverain de l’île de Tulipatan, — moi, qui suis d’un caractère onctueux et d’un commerce agréable, il est fabuleux, dis-je, que j’aie pour fille une enfant aussi indisciplinée… C’est de votre faute, vous lui laissez faire toutes ses volontés… THÉODORINE avec sentiment. Octogène, je n’ai qu’elle!… ROMBOÏDAL avec hauteur. Est-ce un reproche que vous m’adressez, madame? THÉODORINE doucement. À Dieu ne plaise!… Quand on fait ce qu’on peut, on fait ce qu’on doit… Mais pourquoi récriminer, mon ami? — Hermosa est ainsi faite, nous ne pouvons pas la changer… on peut courber le zinc, mais l’acier, on le brise!… Octogène, vous ne voudriez pas que je la brisasse! ROMBOÏDAL Que vous la brisassiez, non, — que vous la bridassiez, oui… Tenez, madame, voulez-vous que je vous dise, ce n’est pas une fille que nous avons-là… C’est un garçon manqué! THÉODORINE à part, très-émue. Ô ciel! ROMBOÏDAL vivement. Qu’est-ce que vous dites, Théodorine? THÉODORINE se remettant. Rien, Octogène, rien… J’abonde dans votre sens… Une femme honnête doit toujours abonder dans le sens de son mari… On entend au dehors un coup de fusil. Quel est ce bruit? ROMBOÏDAL Parbleu! Je parie que c’est encore Hermosa qui fait des siennes… Voyant entrer Hermosa. Tenez! qu’est-ce que je disais!… Scène III Les Mêmes, HERMOSA. HERMOSA entrant vivement par le fond, un fusil à la main. J’aime le tintamarre Ce qui me séduit C’est la bagarre Et le bruit! On dit que je suis une fille Entre nous je trouve pourtant Qu’en silence tirer l’aiguille C’est bien fade et bien embêtant! J’aime le parfum de la poudre J’aime le bruit et le fracas, Laissons les machines à coudre Remmailler chastement les bas. J’aime le tintamarre Ce qui me séduit C’est la bagarre Et le bruit! Bing! bing! Patapouf! HERMOSA Bonjour, maman! Bonjour, papa! ROMBOÏDAL lui prenant son fusil. D’où viens-tu?… Qui est-ce qui t’a permis de prendre ce fusil? HERMOSA Personne… Mais j’aime ça, moi, les fusils!… Pif, paf!… ça fait du bruit… J’aime ça. THÉODORINE doucement. Si elle aime ça, mon ami… ROMBOÏDAL Voilà comme vous la soutenez toujours! THÉODORINE avec sentiment. Je n’ai qu’elle, Octogène ROMBOÏDAL Vous me l’avez déjà dit… Je vous répète, moi, que ces ustensiles sont déplacés dans des mains féminines… On n’a jamais vu ça!… HERMOSA vivement. Pardon, papa, pardon… Diane… THÉODORINE Elle a raison… Diane… Diane chasseresse, ne sortait jamais qu’en armes… et en petite tenue, en très-petite tenue… ROMBOÏDAL C’était une déesse… THÉODORINE Vous allez peut-être dire du mal des déesses, maintenant! ROMBOÏDAL Non! mais les déesses peuvent se permettre certaines fantaisies qu’une femme du monde doit s’interdire sévèrement. À Alexis. Vous pratiquez le fusil et vous négligez la couture et le piano… HERMOSA Oh! la couture, ça me crispe… Le piano, ça m’agace… J’aimerais bien mieux apprendre le cor de chasse… ROMBOÏDAL Le cor de chasse!… HERMOSA Ça résonne, ça fait du bruit… J’aime ça… ROMBOÏDAL Et moi je vous dis que le piano… THÉODORINE vivement. Mon Dieu, mon ami, si elle préfère les instruments à vent… où est le mal?… On dit que ça développe… ROMBOÏDAL Je la trouve suffisamment développée comme ça… d’ailleurs une jeune fille de son âge doit, avant tout, être suave… Eh bien, positivement, elle manque de suavité… THÉODORINE Je ne trouve pas… elle a sa petite suavité à elle. ROMBOÏDAL avec amertume. Ah! je ne suis pas un père chançard!… Je vois tout autour de nous des gens qui ont des enfants bien élevés, tandis que moi… Tenez, sans aller bien loin, notre gracieux du Cacatois… il a tous les bonheurs, lui!… D’abord il est veuf, c’est déjà une bonne chose… THÉODORINE Octogène, vous êtes amer… ROMBOÏDAL Pardon… et puis il a un fils, le prince Alexis, un enfant doux, tranquille et soumis… quoiqu’il appartienne au sexe fort… HERMOSA Et pourtant il est si gentil… Il a l’air d’une demoiselle… THÉODORINE vivement. Trop même… car son père s’en plaint… HERMOSA Ah! les pères se plaignent toujours… ça n’empêche pas que je le trouve charmant… Ah! papa! qu’il est joli, qu’il est joli, qu’il est joli! ROMBOÏDAL Eh bien! Hermosal qu’est-ce que ça veut dire?… Sapristi, un peu de retenue!… HERMOSA Mais papa!… j’en ai… ROMBOÏDAL Pas assez!… HERMOSA se révoltant. Ah! bien! tant pis… je suis dans l’âge où le cœur doit parler… et le mien parlera… il parlera!… il parlera!… ROMBOÏDAL à Théodorine, avec amertume. Quand je vous disais de la brider, avais-je raison, madame? THÉODORINE apercevant un valet qui entre. Silence devant la domesticité, mon ami! ROMBOÏDAL au valet. Qu’est-ce?… Le valet lui parle bas. Ah! mon Dieu!… Ah! mon Dieu! THÉODORINE Qu’y a-t-il donc? ROMBOÏDAL Le duc… le duc qui vient chez moi… THÉODORINE Le duc! ROMBOÏDAL à sa femme. Ôtez donc vos papillotes… Théodorine ôte ses papillotes. THÉODORINE Voilà… voilà… ROMBOÏDAL Attention! voici Son Altesse!… Scène IV {Les Mêmes, CACATOIS XXII, Officiers, Valets, Seigneurs, Dames, puis ALEXIS. CHŒUR Vive le grand Cacatois! Répétons tous à la fois Avec attendrissement, Vive Cacatois le Grand! CACATOIS Prince doux et fort débonnaire, Vous voyez le grand Cacatois. Mes sujets, dont je suis le père, M’aiment tous, du moins je le crois. Si l’on vous dit dans les gazettes Que je ne digère pas bien, Que j’ai payé toutes mes dettes, Mes chers amis, n’en croyez rien! Sur ma parole, C’est un canard! Un bruit frivole, Un traquenard! C’est un canard! Coin! coin! coin! coin! Si parfois un journal affirme En tête de ses faits-divers, Que je ne suis qu’un vieil infirme, Et que j’entends tout de travers! Si l’on dit que je perds la tête Et ma fortune aux dominos, Que je suis quelquefois pompette… Ne croyez pas à ces propos! Sur ma parole C’est un canard, Un bruit frivole, Un traquenard! C’est un canard. Coin! coin! coin! coin! ROMBOÏDAL s’avançant pour le complimenter. Ce jour, prince, est un jour… est le plus beau des jours… CACATOIS l’interrompant. Bon! bon! cela suffit… abrège ton discours… ROMBOÏDAL Volontiers… mais où donc est le prince Alexis? CACATOIS Sur un banc de ton parc, je crois qu’il est assis, Il y pleure comme une biche Un oiseau, de sa cage envolé ce matin… ROMBOÏDAL remontant un peu. Le voici qui paraît à l’angle du jardin… CACATOIS regardant au fond. En pleurnichant encor!… HERMOSA avec élan. Dam! s’il a du chagrin! CACATOIS avec colère. Je n’aime pas à voir un prince qui pleurniche! Alexis entre par le fond suivi de ses pages. ALEXIS J’ai perdu mon ami, J’ai l’âme désolée! Mon joli colibri, Il a pris sa volée! Tous les matins j’ornais sa cage Et l’admirais à mon réveil. Ah! que j’aimais son doux ramage Au premier rayon du soleil! J’ai perdu mon ami, Etc., etc. Mais maintenant où peut-il être? Si je le voyais revenir, Ah! je fermerais ma fenêtre Pour l’empêcher de repartir! J’ai perdu mon ami! Mon âme est désolée, Mon joli colibri, Il a pris sa volée! CACATOIS avec colère, à Alexis. Quand vous aurez fini de pleurer de la sorte, Vous le direz. À sa suite. Que tout le monde sorte! LE CHŒUR en pleurant. J’ai perdu mon ami, J’ai l’âme est désolée… CACATOIS les interrompant. Non, non, pas cet air-là. — Le refrain précédent Pour un chœur de sortie a bien plus de mordant! LE CHŒUR Sur ma parole, C’est un canard! Un bruit frivole, Un traquenard! C’est un canard! Coin! coin! coin! coin! Les seigneurs, les dames, les soldats et les pages se retirent. Scène V CACATOIS, ROMBOÏDAL, THÉODORINE, HERMOSA, ALEXIS. CACATOIS A-t-on jamais vu!… se désoler comme ça pour un oiseau!… À Alexis. Est-ce que ça va durer longtemps? ALEXIS baissant les yeux. Mon père, je… Il s’arrête. CACATOIS l’imitant. Mon père, je… mon père, je… Ça n’est pas une réponse… nom d’une trompette! De tous temps les Cacatois ont été de rudes lapins… vous, monsieur, vous n’êtes pas un rude lapin… on l’a déjà remarqué… ALEXIS Je ferai mon possible pour changer… HERMOSA vivement. Ah! ce serait dommage!… ROMBOÏDAL sévèrement. Hermosa!… CACATOIS Je suis fâché de l’avouer devant le monde… mais vous manquez de zinc, Alexis. — vous manquez complétement de zinc! Vous êtes d’une timidité, d’une froideur!… Ah! songez, quelle humiliation ce serait pour moi si j’entendais le peuple s’écrier sur votre passage Orgeat, limonade, bière!… ALEXIS Papa!… CACATOIS furieux. Brisons là!… Tirant sa montre, à Romboïdal. Quelle heure as-tu? ROMBOÏDAL tirant sa montre. Une heure trois quarts… CACATOIS Tu vas bien? ROMBOÏDAL lui tendant la main. Pas mal, et vous? CACATOIS la repoussant avec violence. Je ne te parle pas de ta santé, ça m’est bien égal. Changeant de ton et très-gaiement. Moi, ça va bien… il n’y a que mon lombago qui me tourmente, THÉODORINE Voilà ce qu’on gagne à guerroyer! HERMOSA vivement. Oh! la guerre!… la guerre!… Pif! paf!… boum!… ça fait du bruit… J’aime ça!… THÉODORINE bas. Hermosa, je t’en prie… Ton père va encore bougonner!… CACATOIS mettant son lorgnon. Oh! oh!… c’est ta fille… toujours une gaillarde, à ce que je vois… ROMBOÏDAL Toujours, monseigneur. CACATOIS Il faut la marier, ça la calmera… J’ai aussi quelques idées pour mon fils… Je lui cherche un bon parti.. ROMBOÏDAL avec effroi. Eh quoi! vous voudriez!… Il est encore bien jeune… CACATOIS Les Cacatois se marient très-jeunes… ça leur est ordonné… ROMBOÏDAL à part. Ah! mon Dieu!… que faire? CACATOIS tirant sa montre. Quelle heure as-tu? ROMBOÏDAL à part. C’est un nouveau tic… Tirant sa montre. Deux heures moins cinq… CACATOIS Tu vas bien? ROMBOÏDAL troublé et lui tendant la main. Pas mal… et vous?… CACATOIS la repoussant avec colère. Mais, sapristi! je ne te parle pas de ta santé… je t’ai déjà dit que ça m’était bien égal… Si je te demande ça, c’est parce que c’est l’heure de mon déjeuner. THÉODORINE vivement. Votre déjeuner! monseigneur daignerait-il nous faire l’honneur… CACATOIS Je vous ferai cet honneur. ROMBOÏDAL Que de bonté! Bas à sa femme Encore une dépense, vous aviez bien besoin de l’inviter. THÉODORINE Il se serait invité tout seul… Dites donc, Octogène, vous savez que je n’ai plus d’argent, nous sommes à la fin du mois. ROMBOÏDAL bas. Comment la fin du mois… nous sommes le 4. THÉODORINE étonnée. Le 4… ça ne m’a pas semblé long. ROMBOÏDAL Il suffit! voici 5 francs ; du moment qu’on fait les choses, il faut les faire convenablement. THÉODORINE à part. Quel pingre!… Haut, à Cacatois. Monseigneur, je vais donner des ordres En s’en allant. et m’ouvrir un œil dans le quartier!… Elle sort par le fond. CACATOIS satisfait. Un pareil empressement! je reviendrai souvent, très-souvent. À Romboïdal. Passons dans ton cabinet de travail, j’ai quatre cent trente-cinq pétitions à lire et deux mille trois cent vingt-sept signatures à donner avant le déjeuner. ROMBOÏDAL Permettez que je vous montre le chemin… CACATOIS à son fils. Attends-moi un instant, Alexis… et du zinc, mon ami, du zinc… Songez quelle humiliation… S’arrêtant. Ah! je l’ai déjà dit. À Romboïdal. Marche, je te suis!… Ils sortent à gauche. Scène VI ALEXIS, HERMOSA. HERMOSA Quel bonheur, prince, on nous laisse ensemble… nous voilà en tête-à-tête. ALEXIS s’éloignant. C’est vrai, mademoiselle… HERMOSA Vous me fuyez! ALEXIS Non… mais seul avec une jeune fille… j’ai si peu l’habitude… HERMOSA Ne rougissez pas… ça n’en vaut pas la peine… et profitez du moment pour me faire la cour. ALEXIS La cour?… HERMOSA Certainement… ALEXIS baissant les yeux. C’est que je n’ose pas. HERMOSA Vous avez tort, il faut être audacieux… D’ailleurs nous sommes faits pour nous entendre ; vous êtes musicien, je suis musicienne, la musique nous mettra d’accord!… De quoi jouez-vous? ALEXIS De l’accordéon, et vous? HERMOSA Moi! de tout ce qui tape, résonne et fait du bruit. AIR J’aime tout ce qui sonne, Ce qui vibre et résonne, Je sens avec plaisir Mon cœur s’épanouir, Aux accords du trombone. Imitant le trombone. Cuin, cuin, cuin, cuin. Les instruments de guerre, Sont ceux que je préfère, Pour moi c’est un beau jour, Quand j’entends du tambour Le rafla populaire, Imitant le tambour. Rafla, raflafla, raflafla. Pour charmer une belle, À la flûte au basson, Je préfère le son Du violoncelle. Imitant le violoncelle. Froum… froum! froum… ENSEMBLE. Ah quel plaisir, quelle douceur, Ces instruments font mon bonheur! HERMOSA Vous voyez que nous nous entendons parfaitement ; allons, faites-moi votre déclaration. ALEXIS avec effroi. Ma déclaration?… HERMOSA Certainement, moi je suis une jeune fille… mon rôle est de rougir, de balbutier… Vous, vous devez être hardi et entraînant… vous devez vous mettre à mes genoux. ALEXIS À vos genoux?… HERMOSA s’animant. Allons, monsieur, mettez-vous à mes genoux! ALEXIS troublé. À vos genoux… HERMOSA avec dépit. Ah! si j’étais à votre place, il y a longtemps que ce serait fait… ALEXIS vivement. Ne me grondez pas… se mettant à genoux. M’y voici… HERMOSA À la bonne heure… je me recule un peu… par pudeur… mais vous, vous avancez vivement en me prenant la main… prenez-moi donc la main. ALEXIS lui prenant la main. Ah! comme il faut du courage!… Hermosa fait un mouvement. Mais j’en aurai… j’en aurai!… HERMOSA l’imitant. J’en aurai… j’en aurai… ayez-en… dites-moi Chère Hermosa, je vous aime… je vais parler à mon père… lui dire que nous voulons qu’on nous marie… demain… aujourd’hui… tout de suite… Mais allez donc… vous ne m’aidez pas du tout. ALEXIS entraîné. Si, si, vous avez raison… je parlerai à mon père… et je lui dirai que jamais, non jamais, je n’aurai d’autre femme que vous… Il se jette aux genoux d’Hermosa. Scène VII Les Mêmes, ROMBOÏDAL et THÉODORINE. ROMBOÏDAL les apercevant. Ciel!… que vois-je?… THÉODORINE les apercevant. Ah! sapristi! nom d’une bobinette! Voilà ce que je redoutais!… HERMOSA Pincés!… ça ne rate jamais! ROMBOÏDAL Eh quoi, prince… ALEXIS se relevant. Pas un mot… conduisez-moi près de mon père, il faut que je lui parle. ROMBOÏDAL Pardon, c’est que j’aurais voulu causer avec ma fille… ALEXIS avec autorité. Faites d’abord ce que je vous demande… ROMBOÏDAL Mais… ALEXIS avec force. Ce que je vous ordonne alors… obéissez, monsieur!… ROMBOÏDAL surpris. Quel changement!… s’inclinant. Altesse, je suis votre serviteur… Avant de s’en aller, regardant Hermosa. Oh! je reviendrai… je reviendrai… Il sort avec Alexis par la gauche. Scène VIII THÉODORINE, HERMOSA. THÉODORINE à part. Le silence n’est plus possible… allons, allons, il n’y a pas à hésiter… Haut. Hermosa, veuillez vous seoir. D’une voix creuse. J’ai un secret important à vous confier. HERMOSA Vous m’effrayez, maman… Vous avez l’air tout chose… THÉODORINE Fichtre! on le serait à moins… et tout d’abord je dois te dire que si tu mijotais des projets d’union avec le jeune Alexis il faudrait mettre ces projets dans le sac aux oublis… HERMOSA Impossible, maman… nous venons d’échanger des serments, je lui ai promis ma main… THÉODORINE Il y a mal-donne… et quand il y a mal-donne, la main passe. HERMOSA Ma mère… ma mère… vous êtes ambiguë… je ne vous comprends pas. THÉODORINE Tu me comprendras quand j’aurai déversé dans ton cœur le trop plein du mien. HERMOSA Déversez, alors, déversez!… THÉODORINE Je déverse… Il y avait une fois un grand sénéchal. Hermosa fait un mouvement. Ça commence comme un conte, mais rassure-toi, c’est de l’histoire… je reprends Il y avait une fois un grand sénéchal… ce grand sénéchal （nous le nommerons tout à l’heure） était marié avec une femme d’une beauté idéale et d’un esprit cultivé, une femme adorable!… cette femme （nous la nommerons tout à l’heure）, il lui naquit un bébé… ce bébé （nous le nommerons tout à l’heure） était charmant… adorable… comme sa mère dont il était la réduction Collas… par malheur le grand sénéchal était au service d’un duc qui venait de déclarer la guerre à ses voisins… Le tambour battait… la guerre menaçait de se prolonger indéfiniment, la mère trembla pour sa progéniture, et lors de la déclaration à la mairie de son arrondissement, elle eut la faiblesse d’annoncer une fille, au lieu d’un fils, au respectable employé préposé aux naissances. HERMOSA C’est très-intéressant… mais je ne comprends pas encore… THÉODORINE Tu ne comprends pas… alors mettons-y les noms… ce duc c’était Cacatois XXII… cette mère charmante, adorable, c’était moi… et ce bébé… HERMOSA avec un cri. C’était moi! THÉODORINE se cachant la tête dans ses mains. Tu l’as dit!… Tu l’as dit!… J’ai trompé ton père sur ton état civil… Tu n’appartiens pas au sexe gracieux et faible… Tu fais partie de celui qui a produit les Romulus, les Caracalla et les Pompée! HERMOSA Voilà donc pourquoi je manquais de flou… quelle révélation!… Ah! je suis un homme… morbleu! tête-bleue!… THÉODORINE effrayée. Ventre-bleu, silence, malheureux!… Si ton père t’entendait… Certainement il a d’excellentes qualités d’abord c’est un honnête homme… mais je le connais, c’est bien l’être le plus rageur… le plus susceptible… et s’il apprend que je l’ai abusé pendant dix-huit ans il est capable de s’en formaliser. HERMOSA Mais pourtant… THÉODORINE Laisse-moi le temps de le préparer adroitement… je profiterai d’un moment… où il sera bien disposé… il est vrai qu’il ne l’est jamais… enfin… je verrai… je chercherai… on dit que la foudre a des effets très-singuliers… un jour qu’il fera un joli petit orage, je mettrai peut-être ça sur le dos du tonnerre… qu’en dis-tu? HERMOSA Dam! il faudrait savoir si c’est dans les choses possibles. THÉODORINE Sois tranquille, je consulterai le pharmacien. HERMOSA Mais papa croira-t-il? THÉODORINE Parbleu!… je te l’ai déjà dit, ton père est un homme supé rieur, mais il est bête à manger du foin pour ces choses-là… quant au prince Alexis, tu comprends maintenant… qu’il faut y renoncer. HERMOSA soupirant. Ah oui… c’est dommage! THÉODORINE attirant Hermosa dans ses bras. Ô mon fils!… jusque-là, jure-moi le secret le plus absolu… HERMOSA Je vous le jure, maman… mais vous savez, au premier orage… THÉODORINE C’est convenu… Voyant entrer Romboïdal. Silence! voici ton père!… Scène IX Les Mêmes, ROMBOÏDAL. ROMBOÏDAL qui entre vivement. Ma femme est encore-là… éloignons-la adroitement. Haut. Théodorine… THÉODORINE Mon ami… ROMBOÏDAL La bonne demande une nappe et les couteaux à dessert… THÉODORINE J’y vais, Octogène… À Hermosa. Tu me l’as juré!… Silence!… Haut. J’y vais!… THÉODORINE Je vais chercher les petites cuillers Pour ce festin nous ne lésinons pas, Puis j’atteindrai les couteaux à desserts, Ça fait très-bien à la fin d’un repas. ENSEMBLE. Allez chercher les petites cuillers, etc. etc. Offenbach,Jacques/L île de Tulipatan/2
https://w.atwiki.jp/chess7jp/pages/18.html
E.I.01A. Laws of Chess E.I.01A. Laws of Chess 序文 BASIC RULES OF PLAYArticle 1 The nature and objectives of the game of chess Article 2 The initial position of the pieces on the chessboard Article 3 The moves of the pieces Article 4 The act of moving the pieces Article 5 The completion of the game COMPETITION RULESArticle 6 The chess clock Article 7 Irregularities Article 8 The recording of the moves Article 9 The drawn game Article 10 Quickplay Finish Article 11 Points Article 12 The conduct of the players Article 13 The role of the Arbiter (See Preface) Article 14 FIDE 英語版がチェス規約の正式な物であり、これは２００８年１１月のドレスデンでの第79回FIDE会議において採択され、2009年7月1日より施行された。 この規約における「彼」という表現は「彼女」という意味も含む。 序文 チェス規約は試合中に起こりうる全ての状況を網羅できるわけでも、全ての運営上の問題を規定できるわけでもない。本規約において明確に規定されていない状況の場合、本規約で議論されている類似した状況を学び、正しい決断が導かれるべきである。 本規約はアービター(審判)が必要な能力、正しい判断、絶対的な客観性を持っていると想定している。詳細すぎる規則はアービターから判断の自由を奪い、結果彼から公平性、論理性や特殊な要因に裏付けられた問題の解決策を見つけるのを妨げるかもしれない。 FIDEは全てのチェスプレーヤーと連盟にこの見解を受け入れるよう求める。 FIDEの一員である連盟は、以下の条件を満たすより詳細な規則を設ける事ができる。 a FIDEチェス規約と矛盾しないこと。 b その連盟が関わる地域に限定されたものであること。 c FIDEの試合、選手権あるいは認可を受けたイベント、並びにFIDEタイトル、レーティングトーナメントを規制するものでないこと。 BASIC RULES OF PLAY Article 1 The nature and objectives of the game of chess 1.1 The game of chess is played between two opponents who move their pieces alternately on a square board called a ‘chessboard’. The player with the white pieces commences the game. A player is said to ‘have the move’, when his opponent’s move has been ‘made’. (See Article 6.7) 1.2 The objective of each player is to place the opponent’s king ‘under attack’ in such a way that the opponent has no legal move. The player who achieves this goal is said to have ‘checkmated’ the opponent’s king and to have won the game. Leaving one’s own king under attack, exposing one’s own king to attack and also ’capturing’ the opponent’s king are not allowed. The opponent whose king has been checkmated has lost the game. 1.3 どちらのプレーヤーもチェックメイトに出来ない局面になったとき、ゲームは引き分けとなる。 Article 2 The initial position of the pieces on the chessboard 2.1 The chessboard is composed of an 8 x 8 grid of 64 equal squares alternately light (the ‘white’ squares) and dark (the ‘black’ squares). The chessboard is placed between the players in such a way that the near corner square to the right of the player is white. 2.2 At the beginning of the game one player has 16 light-coloured pieces (the ‘white’ pieces); the other has 16 dark-coloured pieces (the ‘black’ pieces). These pieces are as follows A white king, usually indicated by the symbol A white queen, usually indicated by the symbol Two white rooks, usually indicated by the symbol Two white bishops, usually indicated by the symbol Two white knights, usually indicated by the symbol Eight white pawns, usually indicated by the symbol A black king, usually indicated by the symbol A black queen, usually indicated by the symbol Two black rooks, usually indicated by the symbol Two black bishops, usually indicated by the symbol Two black knights, usually indicated by the symbol Eight black pawns, usually indicated by the symbol 2.3 各駒は以下のような初期配置でチェス盤に並べられる： 2.4 The eight vertical columns of squares are called ‘files’. The eight horizontal rows of squares are called ‘ranks’. A straight line of squares of the same colour, running from one edge of the board to an adjacent edge, is called a ‘diagonal’. Article 3 The moves of the pieces 3.1 It is not permitted to move a piece to a square occupied by a piece of the same colour. If a piece moves to a square occupied by an opponent’s piece the latter is captured and removed from the chessboard as part of the same move. A piece is said to attack an opponent’s piece if the piece could make a capture on that square according to the Articles 3.2 to 3.8. A piece is considered to attack a square, even if such a piece is constrained from moving to that square because it would then leave or place the king of its own colour under attack. 3.2 The bishop may move to any square along a diagonal on which it stands. 3.3 The rook may move to any square along the file or the rank on which it stands. 3.4 The queen may move to any square along the file, the rank or a diagonal on which it stands. 3.5 When making these moves the bishop, rook or queen may not move over any intervening pieces. 3.6 The knight may move to one of the squares nearest to that on which it stands but not on the same rank, file or diagonal. 3.7 a. The pawn may move forward to the unoccupied square immediately in front of it on the same file, or b. on its first move the pawn may move as in 3.7.a or alternatively it may advance two squares along the same file provided both squares are unoccupied, or c. the pawn may move to a square occupied by an opponent’s piece, which is diagonally in front of it on an adjacent file, capturing that piece. d. A pawn attacking a square crossed by an opponent’s pawn which has advanced two squares in one move from its original square may capture this opponent’s pawn as though the latter had been moved only one square. This capture is only legal on the move following this advance and is called an ‘en passant’ capture. e. When a pawn reaches the rank furthest from its starting position it must be exchanged as part of the same move on the same square for a new queen, rook, bishop or knight of the same colour. The player’s choice is not restricted to pieces that have been captured previously. This exchange of a pawn for another piece is called ‘promotion’ and the effect of the new piece is immediate. 3.8 a. There are two different ways of moving the king by moving to any adjoining square not attacked by one or more of the opponent’s pieces or by ‘castling’. This is a move of the king and either rook of the same colour along the player’s first rank, counting as a single move of the king and executed as follows the king is transferred from its original square two squares towards the rook on its original square, then that rook is transferred to the square the king has just crossed. moves_castling.gif b. (1) The right to castle has been lost a. if the king has already moved, or b. with a rook that has already moved. (2) Castling is prevented temporarily a. if the square on which the king stands, or the square which it must cross, or the square which it is to occupy, is attacked by one or more of the opponent s pieces, or b. if there is any piece between the king and the rook with which castling is to be effected. 3.9 The king is said to be in check if it is attacked by one or more of the opponent s pieces, even if such pieces are constrained from moving to that square because they would then leave or place their own king in check. No piece can be moved that will either expose the king of the same colour to check or leave that king in check. Article 4 The act of moving the pieces 4.1 Each move must be made with one hand only. 4.2 Provided that he first expresses his intention (for example by saying „j’adoube“ or “I adjust”), the player having the move may adjust one or more pieces on their squares. 4.3 Except as providedin Article 4.2, if the player having the move deliberately touches on the chessboard a. one or more of his own pieces, he must move the first piece touched which can be moved b. one or more of his opponent’s pieces, he must capture the first piece touched which can be captured c. one piece of each colour, he must capture the opponent’s piece with his piece or, if this is illegal, move or capture the first piece touched which can be moved or captured. If it is unclear, whether the player’s own piece or his opponent’s was touched first, the player’s own piece shall be considered to have been touched before his opponent’s. 4.4 If a player having the move a. deliberately touches his king and rook he must castle on that side if it is legal to do so b. deliberately touches a rook and then his king he is not allowed to castle on that side on that move and the situation shall be governed by Article 4.3.a c. intending to castle, touches the king or king and rook at the same time, but castling on that side is illegal, the player must make another legal move with his king (which may include castling on the other side). If the king has no legal move, the player is free to make any legal move d. promotes a pawn, the choice of the piece is finalised, when the piece has touched the square of promotion. 4.5 If none of the pieces touched can be moved or captured, the player may make any legal move. 4.6 When, as a legal move or part of a legal move, a piece has been released on a square, it cannot be moved to another square on this move. The move is then considered to have been made a. in the case of a capture, when the captured piece has been removed from the chessboard and the player, having placed his own piece on its new square, has released this capturing piece from his hand b. in the case of castling, when the player s hand has released the rook on the square previously crossed by the king. When the player has released the king from his hand, the move is not yet made, but the player no longer has the right to make any move other than castling on that side, if this is legal c. in the case of the promotion of a pawn, when the pawn has been removed from the chessboard and the player s hand has released the new piece after placing it on the promotion square. If the player has released from his hand the pawn that has reached the promotion square, the move is not yet made, but the player no longer has the right to play the pawn to another square. The move is called legal when all the relevant requirements of Article 3 have been fulfilled. If the move is not legal, another move shall be made instead as per Article 4.5. 4.7 A player forfeits his right to a claim against his opponent’s violation of Article 4 once he deliberately touches a piece. Article 5 The completion of the game 5.1 a. The game is won by the player who has checkmated his opponent’s king. This immediately ends the game, provided that the move producing the checkmate position was a legal move. b. The game is won by the player whose opponent declares he resigns. This immediately ends the game. 5.2 a. The game is drawn when the player to move has no legal move and his king is not in check. The game is said to end in ‘stalemate’. This immediately ends the game, provided that the move producing the stalemate position was legal. b. The game is drawn when a position has arisen in which neither player can checkmate the opponent’s king with any series of legal moves. The game is said to end in a ‘dead position’. This immediately ends the game, provided that the move producing the position was legal. (See Article 9.6) c. The game is drawn upon agreement between the two players during the game. This immediately ends the game. (See Article 9.1) d. The game may be drawn if any identical position is about to appear or has appeared on the chessboard at least three times. (See Article 9.2) e. The game may be drawn if each player has made at least the last 50 consecutive moves without the movement of any pawn and without any capture. (See Article 9.3) COMPETITION RULES Article 6 The chess clock 6.1 ‘Chess clock’ means a clock with two time displays, connected to each other in such a way that only one of them can run at one time. ‘Clock’ in the Laws of Chess, means one of the two time displays. Each time display has a ‘flag’. ‘Flag fall’ means the expiration of the allotted time for a player. 6.2 a. When using a chess clock, each player must make a minimum number of moves or all moves in an allotted period of time and/or may be allocated an additional amount of time with each move. All these must be specified in advance. b. The time saved by a player during one period is added to his time available for the next period, except in the ‘time delay’ mode. In the time delay mode both players receive an allotted ‘main thinking time’. Each player also receives a ‘fixed extra time’ with every move. The countdown of the main time only commences after the fixed time has expired. Provided the player stops his clock before the expiration of the fixed time, the main thinking time does not change, irrespective of the proportion of the fixed time used. 6.3 Immediately after a flag falls, the requirements of article 6.2 a. must be checked. 6.4 Before the start of the game the arbiter decides where the chess clock is placed. 6.5 At the time determined for the start of the game the clock of the player who has the white pieces is started. 6.6 a. Any player who arrives at the chessboard after the start of the session shall lose the game. Thus the default time is 0 minutes. The rules of a competition may specify otherwise. b. If the rules of a competition specify a different default time, the following shall apply. If neither player is present initially, the player who has the white pieces shall lose all the time that elapses until he arrives, unless the rules of the competition specify or the arbiter decides otherwise. 6.7 a. During the game each player, having made his move on the chessboard, shall stop his own clock and start his opponent’s clock. A player must always be allowed to stop hisclock. His move is not considered to have been completed until he has done so, unless the move that was made ends the game. (See the Articles 5.1.a, 5.2.a, 5.2.b, 5.2.c and 9.6) The time between making the move on the chessboard and stopping his own clock and starting his opponent‘s clock is regarded as part of the time allotted to the player. b. A player must stop his clock with the same hand as that with which he made his move. It is forbidden for a player to keep his finger on the button or to ‘hover’ over it. c. The players must handle the chess clock properly. It is forbidden to punch it forcibly, to pick it up or to knock it over. Improper clock handling shall be penalised in accordance with Article 13.4. d. If a player is unable to use the clock, an assistant, who must be acceptable to the arbiter, may be provided by the player to perform this operation. His clock shall be adjusted by the arbiter in an equitable way. 6.8 A flag is considered to have fallen when the arbiter observes the fact or when either player has made a valid claim to that effect. 6.9 Except where one of the Articles 5.1.a, 5.1.b, 5.2.a, 5.2.b, 5.2.c applies, if a player does not complete the prescribed number of moves in the allotted time, the game is lost by the player. However, the game is drawn, if the position is such that the opponent cannot checkmate the player’s king by any possible series of legal moves. 6.10 a. Every indication given by the clocks is considered to be conclusive in the absence of any evident defect. A chess clock with an evident defect shall be replaced. The arbiter shall replace the clock and use his best judgment when determining the times to be shown on the replacement chess clocks. b. If during a game it is found that the setting of either or both clocks was incorrect, either player or the arbiter shall stop the clocks immediately. The arbiter shall install the correct setting and adjust the times and move counter. He shall use his best judgement when determining the correct settings. 6.11 If both flags have fallen and it is impossible to establish which flag fell first then a. the game shall continue if it happens in any period of the game except the last period b. the game is drawn if it happens in the period of a game, in which all remaining moves must be completed. 6.12 a. If the game needs to be interrupted, the arbiter shall stop the clocks. b. A player may stop the clocks only in order to seek the arbiter’s assistance, for example when promotion has taken place and the piece required is not available. c. The arbiter shall decide when the game is to be restarted in either case. d. If a player stops the clocks in order to seek the arbiter’s assistance, the arbiter shall determine if the player had any valid reason for doing so. If it is obvious that the player had no valid reason for stopping the clocks, the player shall be penalised according to Article 13.4. 6.13 If an irregularity occurs and/or the pieces have to be restored to a previous position, the arbiter shall use his best judgement to determine the times to be shown on the clocks. He shall also, if necessary, adjust the clock’s move counter. 6.14 Screens, monitors, or demonstration boards showing the current position on the chessboard, the moves and the number of moves made, and clocks which also show the number of moves, are allowed in the playing hall. However, the player may not make a claim relying solely on information shown in this manner. Article 7 Irregularities 7.1 a. If during a game it is found that the initial position of the pieces was incorrect, the game shall be cancelled and a new game played. b. If during a game it is found that the chessboard has been placed contrary to Article 2.1, the game continues but the position reached must be transferred to a correctly placed chessboard. 7.2 If a game has begun with colours reversed then it shall continue, unless the arbiter rules otherwise. 7.3 If a player displaces one or more pieces, he shall re-establish the correct position on his own time. If necessary, either the player or his opponent shall stop the clocks and ask for the arbiter’s assistance. The arbiter may penalise the player who displaced the pieces. 7.4 a. If during a game it is found that an illegal move, including failing to meet the requirements of the promotion of a pawn or capturing the opponent’s king, has been completed, the position immediately before the irregularity shall be reinstated. If the position immediately before the irregularity cannot be determined the game shall continue from the last identifiable position prior to the irregularity. The clocks shall be adjusted according to Article 6.13. The Articles 4.3 and 4.6 apply to the move replacing the illegal move. The game shall then continue from this re-instated position. b. After the action taken under Article 7.4.a, for the first two illegal moves by a player the arbiter shall give two minutes extra time to his opponent in each instance; for a third illegal move by the same player, the arbiter shall declare the game lost by this player. However, the game is drawn if the position is such that the opponent cannot checkmate the player’s king by any possible series of legal moves. 7.5 If during a game it is found that pieces have been displaced from their squares, the position before the irregularity shall be re-instated. If the position immediately before the irregularity cannot be determined, the game shall continue from the last identifiable position prior to the irregularity. The clocks shall be adjusted according to Article 6.13. The game shall then continue from this re-instated position. Article 8 The recording of the moves 8.1 In the course of play each player is required to record his own moves and those of his opponent in the correct manner, move after move, as clearly and legibily as possible, in the algebraic notation (See Appendix C), on the scoresheet prescribed for the competition. It is forbidden to write the moves in advance, unless the player is claiming a draw according to Article 9.2, or 9.3 or adjourning a game according to the Guidelines of Adjourned Games point 1.a. A player may reply to his opponent’s move before recording it, if he so wishes. He must record his previous move before making another. Both players must record the offer of a draw on the scoresheet. (See Appendix C.13) If a player is unable to keep score, an assistant, who must be acceptable to the arbiter, may be provided by the player to write the moves. His clock shall be adjusted by the arbiter in an equitable way. 8.2 The scoresheet shall be visible to the arbiter throughout the game. 8.3 The scoresheets are the property of the organisers of the event. 8.4 If a player has less than five minutes left on his clock at some stage in a period and does not have additional time of 30 seconds or more added with each move, then for the remainder of the period he is not obliged to meet the requirements of Article 8.1. Immediately after one flag has fallen the player must update his scoresheet completely before moving a piece on the chessboard. 8.5 a. If neither player is required to keep score under Article 8.4, the arbiter or an assistant should try to be present and keep score. In this case, immediately after one flag has fallen,the arbiter shall stop the clocks. Then both players shall update their scoresheets, using the arbiter’s or the opponent’s scoresheet. b. If only one player is not required to keep score under Article 8.4, he must, as soon as either flag has fallen, update his scoresheet completely before moving a piece on the chessboard. Provided it is the player’s move, he may use his opponent’s scoresheet, but must return it before making a move. c. If no complete scoresheet is available, the players must reconstruct the game on a second chessboard under the control of the arbiter or an assistant. He shall first record the actual game position, clock times and the number of moves made, if this information is available, before reconstruction takes place. 8.6 If the scoresheets cannot be brought up to date showing that a player has overstepped the allotted time, the next move made shall be considered as the first of the following time period, unless there is evidence that more moves have been made. 8.7 At the conclusion of the game both players shall sign both scoresheets, indicating the result of the game. Even if incorrect, this result shall stand, unless the arbiter decides otherwise. Article 9 The drawn game 9.1 a. The rules of a competition may specify that players cannot agree to a draw, whether in less than a specified number of moves or at all, without the consent of the arbiter. b. If the rules of a competition allow a draw agreement the following apply A player wishing to offer a draw shall do so after having made a move on the chessboard and before stopping his clock and starting the opponent’s clock. An offer at any other time during play is still valid but Article 12.6 must be considered. No conditions can be attached to the offer. In both cases the offer cannot be withdrawn and remains valid until the opponent accepts it, rejects it orally, rejects it by touching a piece with the intention of moving or capturing it, or the game is concluded in some other way. The offer of a draw shall be noted by each player on his scoresheet with a symbol. (See Appendix C.13) A claim of a draw under Article 9.2, 9.3 or 10.2 shall be considered to be an offer of a draw. 9.2 The game is drawn upon a correct claim by the player having the move, when the same position, for at least the third time (not necessarily by a repetition of moves) a. is about to appear, if he first writes his move on his scoresheet and declares to the arbiter his intention to make this move, or b. has just appeared, and the player claiming the draw has the move. Positions as in (a) and (b) areconsidered the same, if the same player has the move, pieces of the same kind and colour occupy the same squares, and the possible moves of all the pieces of both players are the same. Positions are not the same if a pawn that could have been captured en passant can no longer be captured in this manner. When a king or a rook is forced to move, it will lose its castling rights, if any, only after it is moved. 9.3 The game is drawn, upon a correct claim by the player having the move, if a. he writes his move on his scoresheet and declares to the arbiter his intention to make this move, which shall result in thelast50 moves having been made by each player without the movement of any pawn and without any capture, or b. the last 50 consecutive moves have been made by each playerwithout the movement of any pawn and without any capture. 9.4 If the player touches a piece as in Article 4.3 without having claimed the draw he loses the right to claim, as in Article 9.2 or 9.3, on that move. 9.5 If a player claims a draw as in Article 9.2 or 9.3 he may stop both clocks. (See Article 6.12.b) He is not allowed to withdraw his claim. a. If the claim is found to be correct, the game is immediately drawn. b. If the claim is found to be incorrect, the arbiter shall add three minutes to the opponent’s remaining thinking time. Then the game shall continue. If the claim was based on an intended move, this move must be made as according to Article 4. 9.6 The game is drawn when a position is reached from which a checkmate cannot occur by any possible series of legal moves. This immediately ends the game, provided that the move producing this position was legal. Article 10 Quickplay Finish 10.1 A ‘quickplay finish’ is the phase of a game when all the (remaining) moves must be made in a limited time. 10.2 If the player, having the move, has less than two minutes left on his clock, he may claim a draw before his flag falls. He shall summon the arbiter and may stop the clocks. (See Article 6.12.b) a. If the arbiter agrees the opponent is making no effort to win the game by normal means, or that it is not possible to win by normal means, then he shall declare the game drawn. Otherwise he shall postpone his decision or reject the claim. b. If the arbiter postpones his decision, the opponent may be awarded two extra minutes and the game shall continue, if possible in the presence of an arbiter. The arbiter shall declare the final result later in the game or as soon as possible after a flag has fallen. He shall declare the game drawn if he agrees that the final position cannot be won by normal means, or that the opponent was not making sufficient attempts to win by normal means. c. If the arbiter has rejected the claim, the opponent shall be awarded two extra minutes time. d. The decision of the arbiter shall be final relating to (a), (b) and (c). Article 11 Points 11.1 Unless announced otherwise in advance, a player who wins his game, or wins by forfeit, scores one point (1), a player who loses his game, or forfeits scores no points (0) and a player who draws his game scores a half point (½). Article 12 The conduct of the players 12.1 The players shall take no action that will bring the game of chess into disrepute. 12.2 Players are not allowed to leave the ‘playing venue’ without permission from the arbiter. The playing venue is defined as the playing area, rest rooms, refreshment area, area set aside for smoking and other places as designated by the arbiter. The player having the move is not allowed to leave the playing area without permission of the arbiter. 12.3 a. During play the players are forbidden to make use of any notes, sources of information or advice, or analyse on another chessboard b. Without the permission of the arbiter a player is forbidden to have a mobile phone or other electronic means of communication in the playing venue, unless they are completely switched off. If any such device produces a sound, the player shall lose the game. The opponent shall win. However, if the opponent cannot win the game by any series of legal moves, his score shall be a draw. c. Smoking is permitted only in the section of the venue designated by the arbiter 12.4 The scoresheet shall be used only for recording the moves, the times of the clocks, the offers of a draw, and matters relating to a claim and other relevant data. 12.5 Players who have finished their games shall be considered to be spectators. 12.6 It is forbidden to distract or annoy the opponent in any manner whatsoever. This includes unreasonable claims, unreasonable offers of a draw or the introduction of a source of noise into the playing area. 12.7 Infraction of any part of Articles 12.1 to 12.6 shall lead to penalties in accordance with Article 13.4. 12.8 Persistent refusal by a player to comply with the Laws of Chess shall be penalised by loss of the game. The arbiter shall decide the score of the opponent. 12.9 If both players are found guilty according to Article 12.8, the game shall be declared lost by both players. 12.10 In the case of Article 10.2.d or Appendix D a player may not appeal against the decision of the arbiter. Otherwise a player may appeal against any decision of the arbiter, unless the rules of the competition specify otherwise. Article 13 The role of the Arbiter (See Preface) 13.1 The arbiter shall see that the Laws of Chess are strictly observed. 13.2 The arbiter shall act in the best interest of the competition. He should ensure that a good playing environment is maintained and that the players are not disturbed. He shall supervise the progress of the competition. 13.3 The arbiter shall observe the games, especially when the players are short of time, enforce decisions he has made and impose penalties on players where appropriate. 13.4 The arbiter can apply one or more of the following penalties a. warning b. increasing the remaining time of the opponent c. reducing the remaining time of the offending player d. declaring the game to be lost e. reducing the points scored in the game by the offending party f. increasing the points scored in the game by the opponent to the maximum available for that game g. expulsion from the event. 13.5 The arbiter may award either or both players additional time in the event of external disturbance of the game. 13.6 The arbiter must not intervene in a game except in cases described by the Laws of Chess. He shall not indicate the number of moves made, except in applying Article 8.5, when at least one flag has fallen. The arbiter shall refrain from informing a player that his opponent has completed a move or that the player has not pressed his clock. 13.7 a. Spectators and players in other games are not to speak about or otherwise interfere in a game. If necessary, the arbiter may expel offenders from the playing venue. If someone observes an irregularity, he may inform only the arbiter. b. Unless authorised by the arbiter, it is forbidden for anybody to use a mobile phone or any kind of communication device in the playing venue and any contiguous area designated by the arbiter. Article 14 FIDE 14.1 Member federations may ask FIDE to give an official decision about problems relating to the Laws of Chess.
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https://w.atwiki.jp/meet-artproject/pages/16.html
Meet! 2011 Teilnahmekünstler 01. Agnes Kantor 02. Andrea Radermacher - Mennicken 03. Anne - Theresa Wittmann 04. Antonia Michalopoulos 05. Carolin Weinert 06. Christian Desbonnets 07. Christian Donner 08. Daniela Wesenberg 09. Dieter Wessinger 10. Edin Bajric 11. Elisa Haug 12. Eunsook Kim 13. Feli und Pepita 14.-20. Fotokünstler aus Hannover Axel Boronczyk, Elizabeth Cardozo, Sandra Marianne Gast, Bendine Hentschel, Aenne Langhorst, Silke Rokitta, Silke Zeidler 21. Gianni Gronchi 22. Hans Runge 23. Helena Gaikalowa 24. Hiltrud Gauf 25. Ines Eck 26. Ingrid Schmechel 27. Kanae Kimura 28. Karin Heinrich 29. Klaus Pinter 30. Korvin Reich 31. Maria Grazia Sacchitelli 32. Mathias Stuchtey 33. Max Santo 34. Nadine Neuhäuser 35. Nadja Marcin 36. Nicolaus Werner 37. Priska Streit 38. Sandra Bozic 39. Sarah Schleich 40. Klaus-Dieter Gleitze Hermann Sievers 41. Shige Fujishiro 42. Stefan Groß 43. Stefanie Maier 44. Sylvia Jankowski 45. Tom Otto 46. Vanessa Eder 47. Verena Braunstein
https://w.atwiki.jp/feedback1970/pages/57.html
memo source 1 /* Licensed to the Apache Software Foundation (ASF) under one or more 2 * contributor license agreements. See the NOTICE file distributed with 3 * this work for additional information regarding copyright ownership. 4 * The ASF licenses this file to You under the Apache License, Version 2.0 5 * (the "License"); you may not use this file except in compliance with 6 * the License. You may obtain a copy of the License at 7 * 8 * http //www.apache.org/licenses/LICENSE-2.0 9 * 10 * Unless required by applicable law or agreed to in writing, software 11 * distributed under the License is distributed on an "AS IS" BASIS, 12 * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. 13 * See the License for the specific language governing permissions and 14 * limitations under the License. 15 */ 16 17 #ifndef APACHE_HTTP_CONFIG_H 18 #define APACHE_HTTP_CONFIG_H 19 20 #include "apr_hooks.h" 21 #include "util_cfgtree.h" 22 23 #ifdef __cplusplus 24 extern "C" { 25 #endif 26 27 /** 28 * @file http_config.h 29 * @brief Apache Configuration 30 */ 31 32 /* 33 * The central data structures around here... 34 */ 35 36 /* Command dispatch structures... */ 37 38 /** 39 * How the directives arguments should be parsed. 40 * @remark Note that for all of these except RAW_ARGS, the config routine is 41 * passed a freshly allocated string which can be modified or stored 42 * or whatever... 43 */ 44 enum cmd_how { 45 RAW_ARGS, /** cmd_func parses command line itself */ 46 TAKE1, /** one argument only */ 47 TAKE2, /** two arguments only */ 48 ITERATE, /** one argument, occuring multiple times 49 * (e.g., IndexIgnore) 50 */ 51 ITERATE2, /** two arguments, 2nd occurs multiple times 52 * (e.g., AddIcon) 53 */ 54 FLAG, /** One of On or Off */ 55 NO_ARGS, /** No args at all, e.g. /Directory */ 56 TAKE12, /** one or two arguments */ 57 TAKE3, /** three arguments only */ 58 TAKE23, /** two or three arguments */ 59 TAKE123, /** one, two or three arguments */ 60 TAKE13 /** one or three arguments */ 61 }; 62 /** 63 * This structure is passed to a command which is being invoked, 64 * to carry a large variety of miscellaneous data which is all of 65 * use to *somebody*... 66 */ 67 typedef struct cmd_parms_struct cmd_parms; 68 69 #if defined(AP_HAVE_DESIGNATED_INITIALIZER) || defined(DOXYGEN) 70 71 /** 72 * All the types of functions that can be used in directives 73 * @internal 74 */ 75 typedef union { 76 /** function to call for a no-args */ 77 const char *(*no_args) (cmd_parms *parms, void *mconfig); 78 /** function to call for a raw-args */ 79 const char *(*raw_args) (cmd_parms *parms, void *mconfig, 80 const char *args); 81 /** function to call for a take1 */ 82 const char *(*take1) (cmd_parms *parms, void *mconfig, const char *w); 83 /** function to call for a take2 */ 84 const char *(*take2) (cmd_parms *parms, void *mconfig, const char *w, 85 const char *w2); 86 /** function to call for a take3 */ 87 const char *(*take3) (cmd_parms *parms, void *mconfig, const char *w, 88 const char *w2, const char *w3); 89 /** function to call for a flag */ 90 const char *(*flag) (cmd_parms *parms, void *mconfig, int on); 91 } cmd_func; 92 93 /** This configuration directive does not take any arguments */ 94 # define AP_NO_ARGS func.no_args 95 /** This configuration directive will handle it s own parsing of arguments*/ 96 # define AP_RAW_ARGS func.raw_args 97 /** This configuration directive takes 1 argument*/ 98 # define AP_TAKE1 func.take1 99 /** This configuration directive takes 2 arguments */ 100 # define AP_TAKE2 func.take2 101 /** This configuration directive takes 3 arguments */ 102 # define AP_TAKE3 func.take3 103 /** This configuration directive takes a flag (on/off) as a argument*/ 104 # define AP_FLAG func.flag 105 106 /** method of declaring a directive with no arguments */ 107 # define AP_INIT_NO_ARGS(directive, func, mconfig, where, help) \ 108 { directive, { .no_args=func }, mconfig, where, RAW_ARGS, help } 109 /** method of declaring a directive with raw argument parsing */ 110 # define AP_INIT_RAW_ARGS(directive, func, mconfig, where, help) \ 111 { directive, { .raw_args=func }, mconfig, where, RAW_ARGS, help } 112 /** method of declaring a directive which takes 1 argument */ 113 # define AP_INIT_TAKE1(directive, func, mconfig, where, help) \ 114 { directive, { .take1=func }, mconfig, where, TAKE1, help } 115 /** method of declaring a directive which takes multiple arguments */ 116 # define AP_INIT_ITERATE(directive, func, mconfig, where, help) \ 117 { directive, { .take1=func }, mconfig, where, ITERATE, help } 118 /** method of declaring a directive which takes 2 arguments */ 119 # define AP_INIT_TAKE2(directive, func, mconfig, where, help) \ 120 { directive, { .take2=func }, mconfig, where, TAKE2, help } 121 /** method of declaring a directive which takes 1 or 2 arguments */ 122 # define AP_INIT_TAKE12(directive, func, mconfig, where, help) \ 123 { directive, { .take2=func }, mconfig, where, TAKE12, help } 124 /** method of declaring a directive which takes multiple 2 arguments */ 125 # define AP_INIT_ITERATE2(directive, func, mconfig, where, help) \ 126 { directive, { .take2=func }, mconfig, where, ITERATE2, help } 127 /** method of declaring a directive which takes 1 or 3 arguments */ 128 # define AP_INIT_TAKE13(directive, func, mconfig, where, help) \ 129 { directive, { .take3=func }, mconfig, where, TAKE13, help } 130 /** method of declaring a directive which takes 2 or 3 arguments */ 131 # define AP_INIT_TAKE23(directive, func, mconfig, where, help) \ 132 { directive, { .take3=func }, mconfig, where, TAKE23, help } 133 /** method of declaring a directive which takes 1 to 3 arguments */ 134 # define AP_INIT_TAKE123(directive, func, mconfig, where, help) \ 135 { directive, { .take3=func }, mconfig, where, TAKE123, help } 136 /** method of declaring a directive which takes 3 arguments */ 137 # define AP_INIT_TAKE3(directive, func, mconfig, where, help) \ 138 { directive, { .take3=func }, mconfig, where, TAKE3, help } 139 /** method of declaring a directive which takes a flag (on/off) as a argument*/ 140 # define AP_INIT_FLAG(directive, func, mconfig, where, help) \ 141 { directive, { .flag=func }, mconfig, where, FLAG, help } 142 143 #else /* AP_HAVE_DESIGNATED_INITIALIZER */ 144 145 typedef const char *(*cmd_func) (); 146 147 # define AP_NO_ARGS func 148 # define AP_RAW_ARGS func 149 # define AP_TAKE1 func 150 # define AP_TAKE2 func 151 # define AP_TAKE3 func 152 # define AP_FLAG func 153 154 # define AP_INIT_NO_ARGS(directive, func, mconfig, where, help) \ 155 { directive, func, mconfig, where, RAW_ARGS, help } 156 # define AP_INIT_RAW_ARGS(directive, func, mconfig, where, help) \ 157 { directive, func, mconfig, where, RAW_ARGS, help } 158 # define AP_INIT_TAKE1(directive, func, mconfig, where, help) \ 159 { directive, func, mconfig, where, TAKE1, help } 160 # define AP_INIT_ITERATE(directive, func, mconfig, where, help) \ 161 { directive, func, mconfig, where, ITERATE, help } 162 # define AP_INIT_TAKE2(directive, func, mconfig, where, help) \ 163 { directive, func, mconfig, where, TAKE2, help } 164 # define AP_INIT_TAKE12(directive, func, mconfig, where, help) \ 165 { directive, func, mconfig, where, TAKE12, help } 166 # define AP_INIT_ITERATE2(directive, func, mconfig, where, help) \ 167 { directive, func, mconfig, where, ITERATE2, help } 168 # define AP_INIT_TAKE13(directive, func, mconfig, where, help) \ 169 { directive, func, mconfig, where, TAKE13, help } 170 # define AP_INIT_TAKE23(directive, func, mconfig, where, help) \ 171 { directive, func, mconfig, where, TAKE23, help } 172 # define AP_INIT_TAKE123(directive, func, mconfig, where, help) \ 173 { directive, func, mconfig, where, TAKE123, help } 174 # define AP_INIT_TAKE3(directive, func, mconfig, where, help) \ 175 { directive, func, mconfig, where, TAKE3, help } 176 # define AP_INIT_FLAG(directive, func, mconfig, where, help) \ 177 { directive, func, mconfig, where, FLAG, help } 178 179 #endif /* AP_HAVE_DESIGNATED_INITIALIZER */ 180 181 /** 182 * The command record structure. Each modules can define a table of these 183 * to define the directives it will implement. 184 */ 185 typedef struct command_struct command_rec; 186 struct command_struct { 187 /** Name of this command */ 188 const char *name; 189 /** The function to be called when this directive is parsed */ 190 cmd_func func; 191 /** Extra data, for functions which implement multiple commands... */ 192 void *cmd_data; 193 /** What overrides need to be allowed to enable this command. */ 194 int req_override; 195 /** What the command expects as arguments 196 * @defvar cmd_how args_how*/ 197 enum cmd_how args_how; 198 199 /** usage message, in case of syntax errors */ 200 const char *errmsg; 201 }; 202 203 /** 204 * @defgroup ConfigDirectives Allowed locations for configuration directives. 205 * 206 * The allowed locations for a configuration directive are the union of 207 * those indicated by each set bit in the req_override mask. 208 * 209 * @{ 210 */ 211 #define OR_NONE 0 /** *.conf is not available anywhere in this override */ 212 #define OR_LIMIT 1 /** *.conf inside Directory or Location 213 and .htaccess when AllowOverride Limit */ 214 #define OR_OPTIONS 2 /** *.conf anywhere 215 and .htaccess when AllowOverride Options */ 216 #define OR_FILEINFO 4 /** *.conf anywhere 217 and .htaccess when AllowOverride FileInfo */ 218 #define OR_AUTHCFG 8 /** *.conf inside Directory or Location 219 and .htaccess when AllowOverride AuthConfig */ 220 #define OR_INDEXES 16 /** *.conf anywhere 221 and .htaccess when AllowOverride Indexes */ 222 #define OR_UNSET 32 /** unset a directive (in Allow) */ 223 #define ACCESS_CONF 64 /** *.conf inside Directory or Location */ 224 #define RSRC_CONF 128 /** *.conf outside Directory or Location */ 225 #define EXEC_ON_READ 256 /** force directive to execute a command 226 which would modify the configuration (like including another 227 file, or IFModule */ 228 /** this directive can be placed anywhere */ 229 #define OR_ALL (OR_LIMIT|OR_OPTIONS|OR_FILEINFO|OR_AUTHCFG|OR_INDEXES) 230 231 /** @} */ 232 233 /** 234 * This can be returned by a function if they don t wish to handle 235 * a command. Make it something not likely someone will actually use 236 * as an error code. 237 */ 238 #define DECLINE_CMD "\a\b" 239 240 /** Common structure for reading of config files / passwd files etc. */ 241 typedef struct ap_configfile_t ap_configfile_t; 242 struct ap_configfile_t { 243 int (*getch) (void *param); /** a getc()-like function */ 244 void *(*getstr) (void *buf, size_t bufsiz, void *param); 245 /** a fgets()-like function */ 246 int (*close) (void *param); /** a close handler function */ 247 void *param; /** the argument passed to getch/getstr/close */ 248 const char *name; /** the filename / description */ 249 unsigned line_number; /** current line number, starting at 1 */ 250 }; 251 252 /** 253 * This structure is passed to a command which is being invoked, 254 * to carry a large variety of miscellaneous data which is all of 255 * use to *somebody*... 256 */ 257 struct cmd_parms_struct { 258 /** Argument to command from cmd_table */ 259 void *info; 260 /** Which allow-override bits are set */ 261 int override; 262 /** Which methods are Limit ed */ 263 apr_int64_t limited; 264 /** methods which are limited */ 265 apr_array_header_t *limited_xmethods; 266 /** methods which are xlimited */ 267 ap_method_list_t *xlimited; 268 269 /** Config file structure. */ 270 ap_configfile_t *config_file; 271 /** the directive specifying this command */ 272 ap_directive_t *directive; 273 274 /** Pool to allocate new storage in */ 275 apr_pool_t *pool; 276 /** Pool for scratch memory; persists during configuration, but 277 * wiped before the first request is served... */ 278 apr_pool_t *temp_pool; 279 /** Server_rec being configured for */ 280 server_rec *server; 281 /** If configuring for a directory, pathname of that directory. 282 * NOPE! That s what it meant previous to the existance of Files , 283 * Location and regex matching. Now the only usefulness that can be 284 * derived from this field is whether a command is being called in a 285 * server context (path == NULL) or being called in a dir context 286 * (path != NULL). */ 287 char *path; 288 /** configuration command */ 289 const command_rec *cmd; 290 291 /** per_dir_config vector passed to handle_command */ 292 struct ap_conf_vector_t *context; 293 /** directive with syntax error */ 294 const ap_directive_t *err_directive; 295 }; 296 297 /** 298 * Module structures. Just about everything is dispatched through 299 * these, directly or indirectly (through the command and handler 300 * tables). 301 */ 302 typedef struct module_struct module; 303 struct module_struct { 304 /** API version, *not* module version; check that module is 305 * compatible with this version of the server. 306 */ 307 int version; 308 /** API minor version. Provides API feature milestones. Not checked 309 * during module init */ 310 int minor_version; 311 /** Index to this modules structures in config vectors. */ 312 int module_index; 313 314 /** The name of the module s C file */ 315 const char *name; 316 /** The handle for the DSO. Internal use only */ 317 void *dynamic_load_handle; 318 319 /** A pointer to the next module in the list 320 * @defvar module_struct *next */ 321 struct module_struct *next; 322 323 /** Magic Cookie to identify a module structure; It s mainly 324 * important for the DSO facility (see also mod_so). */ 325 unsigned long magic; 326 327 /** Function to allow MPMs to re-write command line arguments. This 328 * hook is only available to MPMs. 329 * @param The process that the server is running in. 330 */ 331 void (*rewrite_args) (process_rec *process); 332 /** Function to allow all modules to create per directory configuration 333 * structures. 334 * @param p The pool to use for all allocations. 335 * @param dir The directory currently being processed. 336 * @return The per-directory structure created 337 */ 338 void *(*create_dir_config) (apr_pool_t *p, char *dir); 339 /** Function to allow all modules to merge the per directory configuration 340 * structures for two directories. 341 * @param p The pool to use for all allocations. 342 * @param base_conf The directory structure created for the parent directory. 343 * @param new_conf The directory structure currently being processed. 344 * @return The new per-directory structure created 345 */ 346 void *(*merge_dir_config) (apr_pool_t *p, void *base_conf, void *new_conf); 347 /** Function to allow all modules to create per server configuration 348 * structures. 349 * @param p The pool to use for all allocations. 350 * @param s The server currently being processed. 351 * @return The per-server structure created 352 */ 353 void *(*create_server_config) (apr_pool_t *p, server_rec *s); 354 /** Function to allow all modules to merge the per server configuration 355 * structures for two servers. 356 * @param p The pool to use for all allocations. 357 * @param base_conf The directory structure created for the parent directory. 358 * @param new_conf The directory structure currently being processed. 359 * @return The new per-directory structure created 360 */ 361 void *(*merge_server_config) (apr_pool_t *p, void *base_conf, 362 void *new_conf); 363 364 /** A command_rec table that describes all of the directives this module 365 * defines. */ 366 const command_rec *cmds; 367 368 /** A hook to allow modules to hook other points in the request processing. 369 * In this function, modules should call the ap_hook_*() functions to 370 * register an interest in a specific step in processing the current 371 * request. 372 * @param p the pool to use for all allocations 373 */ 374 void (*register_hooks) (apr_pool_t *p); 375 }; 376 377 /** 378 * @defgroup ModuleInit Module structure initializers 379 * 380 * Initializer for the first few module slots, which are only 381 * really set up once we start running. Note that the first two slots 382 * provide a version check; this should allow us to deal with changes to 383 * the API. The major number should reflect changes to the API handler table 384 * itself or removal of functionality. The minor number should reflect 385 * additions of functionality to the existing API. (the server can detect 386 * an old-format module, and either handle it back-compatibly, or at least 387 * signal an error). See src/include/ap_mmn.h for MMN version history. 388 * @{ 389 */ 390 391 /** The one used in Apache 1.3, which will deliberately cause an error */ 392 #define STANDARD_MODULE_STUFF this_module_needs_to_be_ported_to_apache_2_0 393 394 /** Use this in all standard modules */ 395 #define STANDARD20_MODULE_STUFF MODULE_MAGIC_NUMBER_MAJOR, \ 396 MODULE_MAGIC_NUMBER_MINOR, \ 397 -1, \ 398 __FILE__, \ 399 NULL, \ 400 NULL, \ 401 MODULE_MAGIC_COOKIE, \ 402 NULL /* rewrite args spot */ 403 404 /** Use this only in MPMs */ 405 #define MPM20_MODULE_STUFF MODULE_MAGIC_NUMBER_MAJOR, \ 406 MODULE_MAGIC_NUMBER_MINOR, \ 407 -1, \ 408 __FILE__, \ 409 NULL, \ 410 NULL, \ 411 MODULE_MAGIC_COOKIE 412 413 /** @} */ 414 415 /* CONFIGURATION VECTOR FUNCTIONS */ 416 417 /** configuration vector structure */ 418 typedef struct ap_conf_vector_t ap_conf_vector_t; 419 420 /** 421 * Generic accessors for other modules to get at their own module-specific 422 * data 423 * @param conf_vector The vector in which the modules configuration is stored. 424 * usually r- per_dir_config or s- module_config 425 * @param m The module to get the data for. 426 * @return The module-specific data 427 */ 428 AP_DECLARE(void *) ap_get_module_config(const ap_conf_vector_t *cv, 429 const module *m); 430 431 /** 432 * Generic accessors for other modules to set at their own module-specific 433 * data 434 * @param conf_vector The vector in which the modules configuration is stored. 435 * usually r- per_dir_config or s- module_config 436 * @param m The module to set the data for. 437 * @param val The module-specific data to set 438 */ 439 AP_DECLARE(void) ap_set_module_config(ap_conf_vector_t *cv, const module *m, 440 void *val); 441 442 #if !defined(AP_DEBUG) 443 444 #define ap_get_module_config(v,m) \ 445 (((void **)(v))[(m)- module_index]) 446 #define ap_set_module_config(v,m,val) \ 447 ((((void **)(v))[(m)- module_index]) = (val)) 448 449 #endif /* AP_DEBUG */ 450 451 452 /** 453 * Generic command handling function for strings 454 * @param cmd The command parameters for this directive 455 * @param struct_ptr pointer into a given type 456 * @param arg The argument to the directive 457 * @return An error string or NULL on success 458 */ 459 AP_DECLARE_NONSTD(const char *) ap_set_string_slot(cmd_parms *cmd, 460 void *struct_ptr, 461 const char *arg); 462 463 /** 464 * Generic command handling function for integers 465 * @param cmd The command parameters for this directive 466 * @param struct_ptr pointer into a given type 467 * @param arg The argument to the directive 468 * @return An error string or NULL on success 469 */ 470 AP_DECLARE_NONSTD(const char *) ap_set_int_slot(cmd_parms *cmd, 471 void *struct_ptr, 472 const char *arg); 473 474 /** 475 * Return true if the specified method is limited by being listed in 476 * a Limit container, or by *not* being listed in a LimiteExcept 477 * container. 478 * 479 * @param method Pointer to a string specifying the method to check. 480 * @param cmd Pointer to the cmd_parms structure passed to the 481 * directive handler. 482 * @return 0 if the method is not limited in the current scope 483 */ 484 AP_DECLARE(int) ap_method_is_limited(cmd_parms *cmd, const char *method); 485 486 /** 487 * Generic command handling function for strings, always sets the value 488 * to a lowercase string 489 * @param cmd The command parameters for this directive 490 * @param struct_ptr pointer into a given type 491 * @param arg The argument to the directive 492 * @return An error string or NULL on success 493 */ 494 AP_DECLARE_NONSTD(const char *) ap_set_string_slot_lower(cmd_parms *cmd, 495 void *struct_ptr, 496 const char *arg); 497 /** 498 * Generic command handling function for flags 499 * @param cmd The command parameters for this directive 500 * @param struct_ptr pointer into a given type 501 * @param arg The argument to the directive (either 1 or 0) 502 * @return An error string or NULL on success 503 */ 504 AP_DECLARE_NONSTD(const char *) ap_set_flag_slot(cmd_parms *cmd, 505 void *struct_ptr, 506 int arg); 507 /** 508 * Generic command handling function for files 509 * @param cmd The command parameters for this directive 510 * @param struct_ptr pointer into a given type 511 * @param arg The argument to the directive 512 * @return An error string or NULL on success 513 */ 514 AP_DECLARE_NONSTD(const char *) ap_set_file_slot(cmd_parms *cmd, 515 void *struct_ptr, 516 const char *arg); 517 /** 518 * Generic command handling function to respond with cmd- help as an error 519 * @param cmd The command parameters for this directive 520 * @param struct_ptr pointer into a given type 521 * @param arg The argument to the directive 522 * @return The cmd- help value as the error string 523 * @tip This allows simple declarations such as; 524 * pre 525 * AP_INIT_RAW_ARGS("Foo", ap_set_deprecated, NULL, OR_ALL, 526 * "The Foo directive is no longer supported, use Bar"), 527 * /pre 528 */ 529 AP_DECLARE_NONSTD(const char *) ap_set_deprecated(cmd_parms *cmd, 530 void *struct_ptr, 531 const char *arg); 532 /** 533 * For modules which need to read config files, open logs, etc. this returns 534 * the canonical form of fname made absolute to ap_server_root. 535 * @param p pool to allocate data from 536 * @param fname The file name 537 */ 538 AP_DECLARE(char *) ap_server_root_relative(apr_pool_t *p, const char *fname); 539 540 /* Finally, the hook for dynamically loading modules in... */ 541 542 /** 543 * Add a module to the server 544 * @param m The module structure of the module to add 545 * @param p The pool of the same lifetime as the module 546 */ 547 AP_DECLARE(void) ap_add_module(module *m, apr_pool_t *p); 548 549 /** 550 * Remove a module from the server. There are some caveats 551 * when the module is removed, its slot is lost so all the current 552 * per-dir and per-server configurations are invalid. So we should 553 * only ever call this function when you are invalidating almost 554 * all our current data. I.e. when doing a restart. 555 * @param m the module structure of the module to remove 556 */ 557 AP_DECLARE(void) ap_remove_module(module *m); 558 /** 559 * Add a module to the chained modules list and the list of loaded modules 560 * @param m The module structure of the module to add 561 * @param p The pool with the same lifetime as the module 562 */ 563 AP_DECLARE(void) ap_add_loaded_module(module *mod, apr_pool_t *p); 564 /** 565 * Remove a module fromthe chained modules list and the list of loaded modules 566 * @param m the module structure of the module to remove 567 */ 568 AP_DECLARE(void) ap_remove_loaded_module(module *mod); 569 /** 570 * Add a module to the list of loaded module based on the name of the 571 * module 572 * @param name The name of the module 573 * @param p The pool valid for the lifetime of the module 574 * @return 1 on success, 0 on failure 575 */ 576 AP_DECLARE(int) ap_add_named_module(const char *name, apr_pool_t *p); 577 /** 578 * Find the name of the specified module 579 * @param m The module to get the name for 580 * @return the name of the module 581 */ 582 AP_DECLARE(const char *) ap_find_module_name(module *m); 583 /** 584 * Find a module based on the name of the module 585 * @param name the name of the module 586 * @return the module structure if found, NULL otherwise 587 */ 588 AP_DECLARE(module *) ap_find_linked_module(const char *name); 589 590 /** 591 * Open a ap_configfile_t as apr_file_t 592 * @param ret_cfg open ap_configfile_t struct pointer 593 * @param p The pool to allocate the structure from 594 * @param name the name of the file to open 595 */ 596 AP_DECLARE(apr_status_t) ap_pcfg_openfile(ap_configfile_t **ret_cfg, 597 apr_pool_t *p, const char *name); 598 599 /** 600 * Allocate a ap_configfile_t handle with user defined functions and params 601 * @param p The pool to allocate from 602 * @param descr The name of the file 603 * @param param The argument passed to getch/getstr/close 604 * @param getc_func The getch function 605 * @param gets_func The getstr function 606 * @param close_func The close function 607 */ 608 AP_DECLARE(ap_configfile_t *) ap_pcfg_open_custom(apr_pool_t *p, 609 const char *descr, 610 void *param, 611 int(*getc_func)(void*), 612 void *(*gets_func) (void *buf, size_t bufsiz, void *param), 613 int(*close_func)(void *param)); 614 615 /** 616 * Read one line from open ap_configfile_t, strip LF, increase line number 617 * @param buf place to store the line read 618 * @param bufsize size of the buffer 619 * @param cfp File to read from 620 * @return 1 on success, 0 on failure 621 */ 622 AP_DECLARE(int) ap_cfg_getline(char *buf, size_t bufsize, ap_configfile_t *cfp); 623 624 /** 625 * Read one char from open configfile_t, increase line number upon LF 626 * @param cfp The file to read from 627 * @return the character read 628 */ 629 AP_DECLARE(int) ap_cfg_getc(ap_configfile_t *cfp); 630 631 /** 632 * Detach from open ap_configfile_t, calling the close handler 633 * @param cfp The file to close 634 * @return 1 on sucess, 0 on failure 635 */ 636 AP_DECLARE(int) ap_cfg_closefile(ap_configfile_t *cfp); 637 638 /** 639 * Read all data between the current foo and the matching /foo . All 640 * of this data is forgotten immediately. 641 * @param cmd The cmd_parms to pass to the directives inside the container 642 * @param directive The directive name to read until 643 * @return Error string on failure, NULL on success 644 */ 645 AP_DECLARE(const char *) ap_soak_end_container(cmd_parms *cmd, char *directive); 646 647 /** 648 * Read all data between the current foo and the matching /foo and build 649 * a config tree from it 650 * @param p pool to allocate from 651 * @param temp_pool Temporary pool to allocate from 652 * @param parms The cmd_parms to pass to all directives read 653 * @param current The current node in the tree 654 * @param curr_parent The current parent node 655 * @param orig_directive The directive to read until hit. 656 * @return Error string on failure, NULL on success 657 */ 658 AP_DECLARE(const char *) ap_build_cont_config(apr_pool_t *p, 659 apr_pool_t *temp_pool, 660 cmd_parms *parms, 661 ap_directive_t **current, 662 ap_directive_t **curr_parent, 663 char *orig_directive); 664 665 /** 666 * Build a config tree from a config file 667 * @param parms The cmd_parms to pass to all of the directives in the file 668 * @param conf_pool The pconf pool 669 * @param temp_pool The temporary pool 670 * @param conftree Place to store the root node of the config tree 671 * @return Error string on erro, NULL otherwise 672 */ 673 AP_DECLARE(const char *) ap_build_config(cmd_parms *parms, 674 apr_pool_t *conf_pool, 675 apr_pool_t *temp_pool, 676 ap_directive_t **conftree); 677 678 /** 679 * Walk a config tree and setup the server s internal structures 680 * @param conftree The config tree to walk 681 * @param parms The cmd_parms to pass to all functions 682 * @param section_vector The per-section config vector. 683 * @return Error string on error, NULL otherwise 684 */ 685 AP_DECLARE(const char *) ap_walk_config(ap_directive_t *conftree, 686 cmd_parms *parms, 687 ap_conf_vector_t *section_vector); 688 689 /** 690 * @defgroup ap_check_cmd_context ap_check_cmd_context 691 * @{ 692 */ 693 /** 694 * Check the context a command is used in. 695 * @param cmd The command to check 696 * @param forbidden Where the command is forbidden. 697 * @return Error string on error, NULL on success 698 */ 699 AP_DECLARE(const char *) ap_check_cmd_context(cmd_parms *cmd, 700 unsigned forbidden); 701 702 #define NOT_IN_VIRTUALHOST 0x01 /** Forbidden in Virtualhost */ 703 #define NOT_IN_LIMIT 0x02 /** Forbidden in Limit */ 704 #define NOT_IN_DIRECTORY 0x04 /** Forbidden in Directory */ 705 #define NOT_IN_LOCATION 0x08 /** Forbidden in Location */ 706 #define NOT_IN_FILES 0x10 /** Forbidden in Files */ 707 /** Forbidden in Directory / Location / Files */ 708 #define NOT_IN_DIR_LOC_FILE (NOT_IN_DIRECTORY|NOT_IN_LOCATION|NOT_IN_FILES) 709 /** Forbidden in VirtualHost / Limit / Directory / Location / Files */ 710 #define GLOBAL_ONLY (NOT_IN_VIRTUALHOST|NOT_IN_LIMIT|NOT_IN_DIR_LOC_FILE) 711 712 /** @} */ 713 714 #ifdef CORE_PRIVATE 715 716 /** 717 * The topmost module in the list 718 * @defvar module *ap_top_module 719 */ 720 AP_DECLARE_DATA extern module *ap_top_module; 721 722 /** 723 * Array of all statically linked modules 724 * @defvar module *ap_prelinked_modules[] 725 */ 726 AP_DECLARE_DATA extern module *ap_prelinked_modules[]; 727 /** 728 * Array of all preloaded modules 729 * @defvar module *ap_preloaded_modules[] 730 */ 731 AP_DECLARE_DATA extern module *ap_preloaded_modules[]; 732 /** 733 * Array of all loaded modules 734 * @defvar module **ap_loaded_modules 735 */ 736 AP_DECLARE_DATA extern module **ap_loaded_modules; 737 738 /* For mod_so.c... */ 739 /** Run a single module s two create_config hooks 740 * @param p the pool to allocate from 741 * @param s The server to configure for. 742 * @param m The module to configure 743 */ 744 AP_DECLARE(void) ap_single_module_configure(apr_pool_t *p, server_rec *s, 745 module *m); 746 747 /* For http_main.c... */ 748 /** 749 * Add all of the prelinked modules into the loaded module list 750 * @param process The process that is currently running the server 751 */ 752 AP_DECLARE(void) ap_setup_prelinked_modules(process_rec *process); 753 754 /** 755 * Show the preloaded configuration directives, the help string explaining 756 * the directive arguments, in what module they are handled, and in 757 * what parts of the configuration they are allowed. Used for httpd -h. 758 */ 759 AP_DECLARE(void) ap_show_directives(void); 760 761 /** 762 * Show the preloaded module names. Used for httpd -l. 763 */ 764 AP_DECLARE(void) ap_show_modules(void); 765 766 /** 767 * Show the MPM name. Used in reporting modules such as mod_info to 768 * provide extra information to the user 769 */ 770 AP_DECLARE(const char *) ap_show_mpm(void); 771 772 /** 773 * Read all config files and setup the server 774 * @param process The process running the server 775 * @param temp_pool A pool to allocate temporary data from. 776 * @param config_name The name of the config file 777 * @param conftree Place to store the root of the config tree 778 * @return The setup server_rec list. 779 */ 780 AP_DECLARE(server_rec *) ap_read_config(process_rec *process, 781 apr_pool_t *temp_pool, 782 const char *config_name, 783 ap_directive_t **conftree); 784 785 /** 786 * Run all rewrite args hooks for loaded modules 787 * @param process The process currently running the server 788 */ 789 AP_DECLARE(void) ap_run_rewrite_args(process_rec *process); 790 791 /** 792 * Run the register hooks function for a specified module 793 * @param m The module to run the register hooks function fo 794 * @param p The pool valid for the lifetime of the module 795 */ 796 AP_DECLARE(void) ap_register_hooks(module *m, apr_pool_t *p); 797 798 /** 799 * Setup all virtual hosts 800 * @param p The pool to allocate from 801 * @param main_server The head of the server_rec list 802 */ 803 AP_DECLARE(void) ap_fixup_virtual_hosts(apr_pool_t *p, 804 server_rec *main_server); 805 806 /* For http_request.c... */ 807 808 /** 809 * Setup the config vector for a request_rec 810 * @param p The pool to allocate the config vector from 811 * @return The config vector 812 */ 813 AP_CORE_DECLARE(ap_conf_vector_t*) ap_create_request_config(apr_pool_t *p); 814 815 /** 816 * Setup the config vector for per dir module configs 817 * @param p The pool to allocate the config vector from 818 * @return The config vector 819 */ 820 AP_CORE_DECLARE(ap_conf_vector_t *) ap_create_per_dir_config(apr_pool_t *p); 821 822 /** 823 * Run all of the modules merge per dir config functions 824 * @param p The pool to pass to the merge functions 825 * @param base The base directory config structure 826 * @param new_conf The new directory config structure 827 */ 828 AP_CORE_DECLARE(ap_conf_vector_t*) ap_merge_per_dir_configs(apr_pool_t *p, 829 ap_conf_vector_t *base, 830 ap_conf_vector_t *new_conf); 831 832 /* For http_connection.c... */ 833 /** 834 * Setup the config vector for a connection_rec 835 * @param p The pool to allocate the config vector from 836 * @return The config vector 837 */ 838 AP_CORE_DECLARE(ap_conf_vector_t*) ap_create_conn_config(apr_pool_t *p); 839 840 /* For http_core.c... ( Directory command and virtual hosts) */ 841 842 /** 843 * parse an htaccess file 844 * @param resulting htaccess_result 845 * @param r The request currently being served 846 * @param override Which overrides are active 847 * @param path The path to the htaccess file 848 * @param access_name The list of possible names for .htaccess files 849 * int The status of the current request 850 */ 851 AP_CORE_DECLARE(int) ap_parse_htaccess(ap_conf_vector_t **result, 852 request_rec *r, int override, 853 const char *path, 854 const char *access_name); 855 856 /** 857 * Setup a virtual host 858 * @param p The pool to allocate all memory from 859 * @param hostname The hostname of the virtual hsot 860 * @param main_server The main server for this Apache configuration 861 * @param ps Place to store the new server_rec 862 * return Error string on error, NULL on success 863 */ 864 AP_CORE_DECLARE(const char *) ap_init_virtual_host(apr_pool_t *p, 865 const char *hostname, 866 server_rec *main_server, 867 server_rec **); 868 869 /** 870 * Process the config file for Apache 871 * @param s The server rec to use for the command parms 872 * @param fname The name of the config file 873 * @param conftree The root node of the created config tree 874 * @param p Pool for general allocation 875 * @param ptem Pool for temporary allocation 876 */ 877 AP_DECLARE(void) ap_process_resource_config(server_rec *s, const char *fname, 878 ap_directive_t **conftree, 879 apr_pool_t *p, apr_pool_t *ptemp); 880 881 /** 882 * Process all directives in the config tree 883 * @param s The server rec to use in the command parms 884 * @param conftree The config tree to process 885 * @param p The pool for general allocation 886 * @param ptemp The pool for temporary allocations 887 */ 888 AP_DECLARE(void) ap_process_config_tree(server_rec *s, ap_directive_t *conftree, 889 apr_pool_t *p, apr_pool_t *ptemp); 890 891 /* Module-method dispatchers, also for http_request.c */ 892 /** 893 * Run the handler phase of each module until a module accepts the 894 * responsibility of serving the request 895 * @param r The current request 896 * @return The status of the current request 897 */ 898 AP_CORE_DECLARE(int) ap_invoke_handler(request_rec *r); 899 900 /* for mod_perl */ 901 902 /** 903 * Find a given directive in a command_rec table 904 * @param name The directive to search for 905 * @param cmds The table to search 906 * @return The directive definition of the specified directive 907 */ 908 AP_CORE_DECLARE(const command_rec *) ap_find_command(const char *name, 909 const command_rec *cmds); 910 911 /** 912 * Find a given directive in a list module 913 * @param cmd_name The directive to search for 914 * @param mod The module list to search 915 * @return The directive definition of the specified directive 916 */ 917 AP_CORE_DECLARE(const command_rec *) ap_find_command_in_modules(const char *cmd_name, 918 module **mod); 919 920 /** 921 * Ask a module to create per-server and per-section (dir/loc/file) configs 922 * (if it hasn t happened already). The results are stored in the server s 923 * config, and the specified per-section config vector. 924 * @param server The server to operate upon. 925 * @param section_vector The per-section config vector. 926 * @param section Which section to create a config for. 927 * @param mod The module which is defining the config data. 928 * @param pconf A pool for all configuration allocations. 929 * @return The (new) per-section config data. 930 */ 931 AP_CORE_DECLARE(void *) ap_set_config_vectors(server_rec *server, 932 ap_conf_vector_t *section_vector, 933 const char *section, 934 module *mod, apr_pool_t *pconf); 935 936 #endif 937 938 /* Hooks */ 939 940 /** 941 * Run the header parser functions for each module 942 * @param r The current request 943 * @return OK or DECLINED 944 */ 945 AP_DECLARE_HOOK(int,header_parser,(request_rec *r)) 946 947 /** 948 * Run the pre_config function for each module 949 * @param pconf The config pool 950 * @param plog The logging streams pool 951 * @param ptemp The temporary pool 952 * @return OK or DECLINED on success anything else is a error 953 */ 954 AP_DECLARE_HOOK(int,pre_config,(apr_pool_t *pconf,apr_pool_t *plog, 955 apr_pool_t *ptemp)) 956 957 958 /** 959 * Run the post_config function for each module 960 * @param pconf The config pool 961 * @param plog The logging streams pool 962 * @param ptemp The temporary pool 963 * @param s The list of server_recs 964 * @return OK or DECLINED on success anything else is a error 965 */ 966 AP_DECLARE_HOOK(int,post_config,(apr_pool_t *pconf,apr_pool_t *plog, 967 apr_pool_t *ptemp,server_rec *s)) 968 969 /** 970 * Run the open_logs functions for each module 971 * @param pconf The config pool 972 * @param plog The logging streams pool 973 * @param ptemp The temporary pool 974 * @param s The list of server_recs 975 * @return OK or DECLINED on success anything else is a error 976 */ 977 AP_DECLARE_HOOK(int,open_logs,(apr_pool_t *pconf,apr_pool_t *plog, 978 apr_pool_t *ptemp,server_rec *s)) 979 980 /** 981 * Run the child_init functions for each module 982 * @param pchild The child pool 983 * @param s The list of server_recs in this server 984 */ 985 AP_DECLARE_HOOK(void,child_init,(apr_pool_t *pchild, server_rec *s)) 986 987 /** 988 * Run the handler functions for each module 989 * @param r The request_rec 990 * @remark non-wildcard handlers should HOOK_MIDDLE, wildcard HOOK_LAST 991 */ 992 AP_DECLARE_HOOK(int,handler,(request_rec *r)) 993 994 /** 995 * Run the quick handler functions for each module. The quick_handler 996 * is run before any other requests hooks are called (location_walk, 997 * directory_walk, access checking, et. al.). This hook was added 998 * to provide a quick way to serve content from a URI keyed cache. 999 * 1000 * @param r The request_rec 1001 * @param lookup_uri Controls whether the caller actually wants content or not. 1002 * lookup is set when the quick_handler is called out of 1003 * ap_sub_req_lookup_uri() 1004 */ 1005 AP_DECLARE_HOOK(int,quick_handler,(request_rec *r, int lookup_uri)) 1006 1007 /** 1008 * Retrieve the optional functions for each module. 1009 * This is run immediately before the server starts. Optional functions should 1010 * be registered during the hook registration phase. 1011 */ 1012 AP_DECLARE_HOOK(void,optional_fn_retrieve,(void)) 1013 1014 #ifdef __cplusplus 1015 } 1016 #endif 1017 1018 #endif /* !APACHE_HTTP_CONFIG_H */
https://w.atwiki.jp/fffkindle1212134/pages/33.html
Code Geass 18. I Order you, Suzaku Kururugi The young Britannian Lelouch is faced with a choice between two divergent paths One leads to the past, in a quest to find his mother s enemies. The other way takes him to the future, where he will create a world in which his little sister Nunnally can live happily. Only Lelouch can choose which direction he will go. Will he follow the path that ends in destruction of the world, or will he travel the road to building a bright new one? STAGE 18 I ORDER YOU, SUZAKU KURURUGI We used to have trouble getting even a single motorcycle. Now we have a submarine. The military district of India will be in big trouble if the Britannians ever find out. How d she do it? Now then, due to our recent reorganization, a few changes have been made. Our new chief of military affairs will be Kyoshiro Tohdoh. Taking charge of all intelligence, espionage, and public relation matters, Diethard Reid. This Britannian pretty boy?! Not to mention, he s a media type. Zero, I m not a racist, but what s your reasoning for placing one of them in such a sensitive position? Reason? And what of me, I ask you? I m not Japanese either. You all know this. What matters is the ability to produce results. Who you are and where you re from are of little consequence. Alright, alright, already! My deputy commander will be Kaname Ohgi. Who, me? You object? Uh... no. Well, you were our leader to begin with, weren t you? A newbie can t take that job, right? And for research and development, Rakshata. Who else? Captain of the Zero Squad Kallen Kouzuki. The Zero Squad? An elite guard under my direct command. Think of yourselves as my personal force. An elite guard... Zero. Captain of the First Squad will be Shogo Asahina. Second Squad Ryouga Senba. Third Squad Kizuna Kagesaki. And Tamaki will lead the Second Special Forces. That is all. I m the man! There s no position for C. C.? Zero, may I add something? Hmm? There s one issue that still needs to be dealt with. Who cares if he s an honorary Britannian? Knighting an Eleven is just-- And broadcasting it live. How d he ever win her favor, I wonder. Well, even a princess has needs, right? Are they kidding?! No, this can t be happening! They re making him a major, an Eleven! Suzaku Kururugi. Wilt thou upon this day pledge thy fealty to Britannia and stand as a Knight of the Crown? Yes, Your Highness. Dost thou wish to abandon thyself and be sword and shield for the sake of the greater good? Yes, Your Highness. I, Euphemia li Britannia, do hereby dub thee Sir Suzaku Kururugi. So whose payroll is he on now? I believe Lloyd s already working on that. You mean... with him? Yes, well, it s not like I ve ever met him, of course. Suzaku Kururugi. He s become a focal point among Elevens who are Britannian supporters. I recommend he be assassinated. Assassinate him? He may be right. You ve been the focus of the resistance movement. The servile masses lack such a hero. People aren t moved by ideology alone, but the Britannians will hold this boy up as a symbol. I think that taking him out would be the smartest decision right now. I object. Hm? The Japanese would be revolted by such a cowardly act. Yeah, and the Black Knights are not in the business of killing the defenseless, either! What do you want us to do? Get him when he s alone and kill him straight out? Calm down. I m merely suggesting we minimize our risk in the most efficient way possible. But it s Zero s call, of course. What s so complicated? Just use your Geass on Kururugi. Drop it. So stubborn. Why not? Because he s your friend, or is it pride? ...All of it. You might have to kill him, otherwise... You haven t said anything about it yet. Appointing a knight is a privilege of royalty -- it s out of my hands, even as viceroy. Don t you see Suzaku Kururugi is an honorary Britannian, and he s proved himself more than worthy of knighthood. Sister, even you have to-- It s viceroy. Viceroy, even you must know that he s deserving. Discrimination against the Numbers is our national policy. Then it s time I tried to change that! Oh, is it now, Sub-Viceroy? Well, when you become empress, feel free to do so! Construction of the Thought Elevator is proceeding as scheduled. Yes, I understand. What? Schneizel? Yes, Majesty. Your orders? You needn t interfere. If he is that sure of himself, let him challenge me. Okay guys, time to raise a glass to Kururugi here! Valued member of the student council and a knight of the realm! Now let s get this party started, huh? Congratulations! You have Nunnally to thank for all of this. I m sure you re tired of the celebrations. If you don t mind, we wanna honor you too! Not at all! It s really kind of you. Oh... what am I gonna do? Princess Euphemia... Good afternoon Have you seen Maj. Kururugi? They said I could find him here... Hmm? Oooh! Looks like you re working on some fun stuff! You know what it is? Oh, I can tell uranium isotope when I see one. Wow, you know your stuff! And if you can get that uranium to absorb active neutrons, then it should split into high-speed neutrons and atomic nuclei. The problem is you need to fuel the reaction with U-235, which only makes up 0.7 percent of all natural uranium. So even if we came up with some means of induce fission, we d never have enough raw materials. That s why-- Hey Prez, where s Nina? I told her to be here. Oh hey, Kallen! Can you help me set out more pizza? Hey! Are you listening? This is for Zero, Kallen. If you don t do it here... Hey, I think Shirley wants you to give her a hand. I m sorry, but I m right in the middle of something at the moment. What are you doing? Maybe I can help out. Hey. I m sorry. I got held up. Huh? No problem! I m just happy you could be here. Hey, what did you want to talk about? You ve said it was kind of important, right? Oh... yeah... Just forget it. Huh? Bad news, Suzaku! You just got even more work to do, I m afraid. Oh, right... You know him? He is my boss. Lloyd, is something wrong? Oh, do you guys know each other? We are to be married. Huh? What?! Isn t that right, honey bunch? Uh... yeah... Secret s out. So you knew? Mm-hmm. Whoa! Whoa! What s going on here?! Who is this guy? Earl Asplund. EARL?! It s an honor, your lordship. Now, what did you say your relationship was again? She and I are betrothed. NOOOOO!!! You were serious then? So... do I have military duties then? Yes, an important someone and others are arriving by boat. We re off to meet him. Along with the Lancelot and Princess Euphemia, naturally. Why Shikine Island? The Tokyo Settlement would ve been a lot safer. Yes, I m curious about that myself. Wha--?! You re saying you don t know either? Ditto. Huh? You still shouldn t have said anything. After all, your loose lips got our plans leaked onto the Net. That girl was so charming, though. I couldn t resist. Euphemia is going to that island to meet a noble from their homeland. Her knight Suzaku Kururugi will be accompanying her. That far out at sea, the enemy s strength will be limited. It is a golden opportunity. Our objective is the capture of the Lancelot and Suzaku Kururugi. Once we ve won the battle, I want Kururugi taken safely into custody. So, what happens after we got him? Don t worry. Just leave that to me. That s our spot, huh? You suppose it s going to work? I think we ll be fine. The stealth effect we get as a byproduct seems to be working. How can you tell? The Britannians haven t found us, have they? What s that tell you? Oh, I see. You re right! It is just a first step, though. Diethard, what did you talk Kallen into doing? I told her to dig up what she could on Kururugi. Maybe I implied a little more than that. Don t overstep your bounds. I don t recall ordering his assassination. You want us to be the hammer of justice, right? We can t have people thinking about us as cold-blooded killers, I know. But we can hide the truth using the media. You can t change the world without getting your hands dirty. Am I wrong? Diethard... what are you really after? You may have been demoted, but you re still a Britannian. You don t need to join the Black Knights to change the world, do you? I never mentioned this, but the first time I ever saw you was the night you rescued Kururugi... and I trembled! It was like a new era had taken form and appeared before me! I wish to document you, Zero. As you build your organization and topple over the empire then take this world for your own! I wish to be there, documenting history as it s created! Nothing has ever made my heart dance more! Documenting? You re right in the thick of it. I d say you re fabricating history. Objectivity is a fairy tale. In the end, journalism is a product of the human mind, like everything else. You re not to interfere with military matters. Yes, of course. Arrival time s right on schedule. We ve prepared a room for you back at headquarters if you care to wait there. Is it safe to assume that the ship is docking here? Yes, that hasn t changed. This will do fine then. Very well, I ll just arrange for an escort. Huh? Terrorists? But how did they get here?! First Squad, continue advancing! Zero Squad, I want you covering them from their flank! Filthy Elevens! She sure packs a punch, huh? Impressive. It s no wonder Tohdoh held off the Britannians once before without a single Knightmare. Now I only have to wait for Euphemia to receive word of our visit. Headquarters appears to be under some sort of attack! Huh? We ll withdraw to the settlement. Can you arrange an escort unit for her? It s too risky to leave right now. They re jamming us with some kind of wide-range interference. You re going to be fine. Don t worry, Princess. I won t let any harm come to you. No, Suzaku, you should help these men fend off the attack. Huh? But Sub-Viceroy, he is an honorary Britannian! We re almost certainly dealing with the Black Knights here. What if he turns the Lancelot against us?! Uh, you do realize you re criticizing a member of royalty, right? Oh... uh... forgive me. I didn t mean to... Kururugi, demonstrate your valor for us today so that we may finally silence all these naysayers. Right! Worthless garrison unit! I ll finish the job! Huh?! Ah! Zero, there you are. That s right, Suzaku! Come! Confirming target. All units, assume formation three and fall back. Do not fire on the target! I repeat do not fire! Yes, thanks to the Special Corps. Wha--? But that would mean...! Yes, Your Highness! He s not equipped for that sand he jumped into. Could he be drawing me into a setup... using himself as bait? Fine then! Zero! I got you...! ...right where...! ...I want you. What the--?! It s frozen?! No good! We need to talk, Kururugi! I suggest you come out! Your secondary system should still be functioning. You ll be treated as a prisoner under international law. Of course, If you don t care to talk, we could just gun you down. I don t care! Tell Suzaku to abandon the unit! What could possibly be wrong with it? How come it won t move?! Something s happened to the Sakuradite that s powering Suzaku s Lancelot! Somebody s interfering with it! A Gefjun Disturber. You mean--! But they re actually using it as a jamming mechanism. I thought it was only theoretical... What a fool I am. It really is you, Rakshata? It looks like the range and endurance still need a little work. I II get straight to the point, Suzaku Kururugi I want you to join me. Is that a threat? Well, you can forget it! I already told you. Results gained through contemptible means are worthless to me! So, you wouldn t describe the peace we have now as worthless? If Japan had resisted to its very last breath seven years ago, what do you think would ve happened? The Chinese and the E.U. would ve stepped in and split Japan in three. They d be fighting even now. Our current peace is the result of Japan s immediate and unconditional surrender. That s right, and I ve been fighting to preserve my father s peace ever since it began! You re wrong. Prime Minister Kururugi, elected by the people, didn t choose surrender. That decision was selfishly made by his killer. With the government thrown into chaos, surrender became the only logical choice. The will of the people was stolen from them... by a lone criminal pursuing his own selfish agenda! Can you hear them at all? There s too much static on the mic! How on Earth do you know that...? There s only one way for you to atone now. Huh? Present the Japanese people with the choice they weren t able to make then. The path they were robbed of seven years ago! Fighting Britannia! Fighting them? That again? It s an option worth exploring. Or would you rather drag the masses towards a future dictated by your own egotism? You call that peace? Do you read me? Maj. Kururugi! Please respond! May I? As you wish. This is Lt. Colonel Fayer, commander here on Shikine Island! We re launching surface-to-surface missiles against the terrorists! Maj. Kururugi, your orders are to keep Zero there! They re giving him up to die! K--Kururugi, what are you--?! I can t approve of your methods! All I can do right now is this! Why, you little...! Don t move! The field will affect you too! But Zero...! We re assigning Portman here to escort them. The sub-viceroy should be taken out of the-- Wait! You re going to destroy the Lancelot?! Kururugi is holding Zero there. This is our chance to kill him! And whose idea was this?! Maj. Kururugi is my personal knight! It was a para-level one order. It can only be countermanded by the consensus of at least three ranking generals or the viceroy herself, I m afraid. Then who exactly issued this order, Captain?! Get me a line to them immediately! Para-level one order, Princess Euphemia. Out of my way! Sub-Viceroy! Contact the base! Tell them there s a chance I ll be caught in the attack! See if they ll initiate their launch then! Please, stop this! Think what you re doing! But they ll stop with the princess out there... I m not sure they will, unfortunately. Incoming missiles, confirmed! Damn! Hold on, I m coming! Dammit! You re gonna die here as well! You don t have a problem with that?! Your sacrifice isn t in vain, Major. We are about to put an end to the most dangerous criminal our homeland has ever known! They ll speak of your bravery for generations to come! SHUT UP! All Knightmares, target on those missiles and throw up a barrage! Empty your guns if you have to! Suzaku, let Zero go! It s me! Suzaku, it s Kallen Stadtfeld from the student council! Look at me! Suzaku, you can t die now! A soldier must always follow his orders! Humph! Certainly easier than following your own heart! How do you feel about this?! You re wrong! I have rules that I made and need to live by-- uh. They completed a float system? Well, I m outdone. That s... my brother s Avalon! No, it can t be! Dammit, Suzaku, do something! You re going to die! Better that than breaking the rules! You stubborn fool! My Geass is the power to command others. None can disobey. Those I turn it on find their ethics, their thoughts, and their feelings crushed beneath its power. And knowing all of that I used it... on Suzaku.